Mourners share their memories of a dead film-star at her wake, a la Citizen Kane. Only melodrama.

In a small Mexican village the news shock neighbors, Ricardo Alfaro, a wealthy local rancher has disappeared without a trace. Taking advantage of the circumstance, Aurora Campos, a strong woman with overwhelming beauty, convinces the authorities to sell her the property in exchange for twelve thousand dollars. Soon after, when Ricardo suddenly reappears, a real battle is about to begin.

This typical Mexican melodrama is set in a coastal fishing village where a wealthy fisherman lives with his wife and young son. Their lives are turned upside down when an American of dubious morality comes into town. The American and the fisherman's wife had been lovers years and years ago -- and now the fisherman begins to suspect that the son he always thought was his, is really the offspring of this foreign intruder.

Young woman's fiance unexpectedly falls in love with her mom, and ends up arranging the young woman's death.

1970 film by Juan Ibáñez Díez-Gutiérrez

Independently-wealthy woman tries to break free of repressive, conservative cultural constraints.

Maria Felix, the archetypical Mexican movie star, plays one of her bad/good girl roles, with elements of the characters played by Joan Crawford, Barbara Stanwyck and even Marlene Dietrich. (she sings a song by her then husband, the famous composer,Augustine Lara). Arturo de Cordova's tortured lover is reminiscent of his role in Buñuel's Exterminating Angel. There's some extraordinary photography , stylized sets (the furniture designer gets a credit) and outrageous dresses for La Doña, as Maria Felix is still known in Mexico. It's definitely one of the styles that Buñuel expanded in his early Mexican films like the 1955 "Ensayo de un crimen."