Créateur du Canal de Suez qu'il devait inaugurer en 1869 après trente années de luttes opiniâtres, Ferdinand de Lesseps est un personnage de légende.

A team of researchers investigates a European castle that was used for sadistic tortures during the inquisition, as well as horrifying and abominable Nazi experiments on innocent people. Riddled with history, the demonically possessed castle overtakes the crew turning their nightmares into a terrifying reality.

Dos historias entremezcladas que suceden en el pueblo valenciano de Favara. La primera da título a la película y cuenta los avatares que le ocurren a la joven virginal Visanteta que, a partir de su interpretación de Santa Bárbara en una obra folclórico-religiosa, cuenta con una especie de fuerza sobrenatural a su favor, que consiste en una ayuda divina que surge cada vez que está a punto de ser desvirgada. La segunda muestra la relación entre un matrimonio del pueblo.

Secuela de "El virgo de Visenteta". Cuando la normalidad parecía haber regresado a Favara por el matrimonio de Visanteta, ocurre la desgracia y ésta se queda viuda. Para evitar la ira de Santa Barbara cuando el honor de Visanteta se ve amenazado, le irán buscando marido, pero ninguno dura mucho.

1976 film directed by Vicente Escrivá

A top undercover cop finds and arrests a series of purse snatchers until he discovers an American at the top of an evil ring of thieves.

Hercules searches for the Seven Thunderbolts of Zeus, which have been stolen by renegade gods.

Ponziani Armando是一家蓬勃发展的化工厂的老板，他和妻子以及儿子Franco Ersilia住在科莫湖上一栋美丽的别墅里。

Maurizio Merli and Tomas Milian star in probably the most typical, yet completely enjoyable Italian crime movie by Umberto Lenzi. With a blazing soundtrack by Franco Micalizzi and some exciting camerawork by Federico Zanni, this film is fast-paced and furious although the narrative makes relatively little sense. This reminds me of THE RAIDERS OF ATLANTIS, a film Dardano Sacchetti also penned, which was completely fun and enjoyable although it didn't make any sense whatsoever. The best scenes in this movie have to be the extended car chases. Milian hijacks an ambulence and kills all the people on board for no reason. When it crashes in a crowded flea market, Milian jumps out of the ambulence and just starts randomly firing his sub-machine gun into the crowd to create enough confusion to get away. Another great scene has a gang of upper-class teenagers led by the baby-faced Stefano Patrizi who get bored of nightclubbing and proceed to rape a girl and beat up her boyfriend in a vacant lot. Patrizi is wholely unsympathetic as he punches the boyfriend in the gut repeatedly and knees him in the face, then making weird gestures with a nearby piece of wood. Merli later pops by their nightclub and smashes Patrizi's face right through a pinball machine and then simultaneously beats the tar out of the six or so members of the gang! This film comes fast and furious. Good performances all around by a veteran cast (with Arthur Kennedy, Ivan Rassimov, and Luciano Pigozzi along for the ride). It's not the most coherent of Lenzi's works, but it's definitely a genre classic. imdb comment

How was it possible that a single man influenced contemporary world so significantly? This film is an attempt to capture the phenomenon of a common man’s metamorphosis into a charismatic leader — an attempt to see how a Gdansk shipyard electrician fighting for workers’ rights awakened a hidden desire for freedom in millions of people.