María Luisa Ponte — Actor (23)
Streetcar for Sale (1959) [Movie] WikiData IMDb TMDB
Se vende un tranvía
other title: Se vende un tranvía
This excellent short film written by the magnificent filmmaker duo of Luis García Berlanga and screenwriter Rafael Azcona was to be part of a series entitled Los Pícaros (The Rogues) which was never continued. These two artists were responsible for such masterpieces of Spanish cinema as Plácido and El verdugo (The Executioner). Here, Berlanga and Azcona collaborated for the first time, setting the stage for the post-war "Berlanguiana" vision that would develop. José Luis López Vázquez plays Julián, a seedy swindler, who with his cronies tries to sell a streetcar to a rich but naive farmer, a newcomer to the city. High jinx ensue. With this film begins the great stage of Berlanga's filmmaking in which he mixes a little social criticism and notes of anti-clericalism with a great deal of farce.
From Maid to Lady (1979) [Movie] WikiData IMDb TMDB
La supplente va in città
other title: De criada a señora / 代课老师
Rubina arrives in Rome from the high mountain in search of her boyfriend Carlo, who refuses to keep her word of marriage, in view of which she falsely accuses him of having raped her and the boy is imprisoned. Rubina is placed as a maid in David's house. David who has a bizarre family runs a boutique with his son Leo. She soon becomes a clerk in the store, where she conquers everyone, and marries Leo. She will have various sexual experiences. But she gets pregnant by her boyfriend who has since been released from prison.
Life Size (1974) [Movie] WikiData IMDb TMDB
Grandeur nature
other title: Grandeur nature / Tamaño natural
When Michel gets the life-sized sex doll he ordered, shipped directly from Japan, he is only intrigued by it at first. Then the silent unresponsiveness of the thing begins to haunt him, and he finds himself reacting to it as if it were an equally unresponsive living woman. As time passes, more and more of his life is spent trying to satisfy or placate its relentless silence, and he goes somewhat mad. He dresses the doll and takes it with him wherever he goes. When his usually very tolerant wife discovers what is going on, her jealousy knows no bounds and she attempts to imitate this threatening love-object. The light-hearted quality of this addle-pated fantasy darkens quickly when various neighborhood men attempt to put the doll to its originally intended use.