The investigation of the melon affair, to remain undisclosed for thirty years, is led by Major Piroska Szabó, the secret girlfriend of Mr. Kálmán, the boss, with a charge against the policemen Lajos Endúros and Richard Wagner. Sitting on the terrace of their favourite snack bar, the two policemen, along with Sergeant-Major Badár, take an oath not to testify against each other, and to mislead the authorities by giving false evidence.

Gizella Weisz is an middle-aged office worker, who gets a promotion one day. Her boss told her that a new outpost is waiting for her. There she would be heading a new section. She travels from place to another and finally arrives at her new outpost. It is a remote shed, where a half-insane co-worker is waiting for her. It is obvious that Weisz has not been promoted, but punished. However Weisz does not realize that herself. Without questioning she just accepts her promotion.

After they got imprisoned, small-time criminals Kuplung and Csumpi tell their stories to their cell-mate of how they have planned the most imperfect robbery. Their big idea was to rob the Money-liquidation Warehouse. The movie shows how they fielded a team to execute the robbing and how everything went wrong.

film directed by Péter Tímár

In the sequel to the surprise hit Üvegtigris (2001), we witness the 6 losers again as they run amok around the roadside buffet, which again fails to make their dreams come true, but which serves as the basis and end station of numerous funny adventures.

In the Kerepesi Street cemetery, three grave diggers contemplate the fate of the world, then they step out of this role and in a sequence of episodes they play the typical figures of contemporary Hungarian reality, the fat cat, the swashbuckler, the victim, underworld chieftains, and present little absurd dramas of love, marriage, friendship, public order and legal safety. The author and the film director walk among them all the time, contemplating, laughing at their plays. The stories starting from the graveyard and returning there warn of the inevitability of death. The author and the director (Gyula Hernádi and Miklós Jancsó) wisely make friends with death.