As they are going to visit their former teacher, Micky, who is seriously ill, three men who were buddies back in their high school years are reunited. Moreover, they go back to the old cram school, reminiscing about their rebellious youth. In the 1990s, that cram school was known for its strict rules and the trio, who loved making trouble, had given the director a big headache until Micky arrived as a new teacher. He not only tamed the boys but became a good friend to them. Micky often talked about romantic relationships and sexuality to the students and made documentaries to speak up for the gay community. It is because of him that the students got to understand the homosexual or even themselves.

在八里的观音眼底，失去身份的诗人迷失在失根的意象里。没有ISBN的诗集，是诗人流离一生的结语。到了最后，我们终将离开。在阖上眼的那一刻，你想带走什么样的风景？《鱼》、《屋檐下》编导王靖敦最新作品。透过诗人四十年前留下的日记，重新走入诗人王添源的诗作世界。写下时间终止前，生命中最后的一段奇幻旅程。从台湾当代本土文学出发的原创剧作，《台北诗人》以诗人王添源的十四行诗为引，以文学为底藴，将诗文意象与隐身于书页背后的故事转化为剧场创作，再现诗人寄予铅字中的生活轨迹与生命体悟。

2019年乌镇戏剧节剧目之一，时长约100分钟。

以一名自杀未遂者为核心，辐射出九名相互形成关系网络的角色，这些角色皆没有名字，仅以关系中的称谓作为辨识，藉而呼应网络匿名文化下“无名”的特性。剧名来自日本网络文化中，对于以化名发泄负面情绪的使用者账号之统称。《病号》透过阶段性集体创作并融合大量肢体编排，大笔描摹网络社群时代、重度网络成瘾的日常生活下人们扭曲的面貌，展现“人”与网络不可剥离的集体病征。