Chamonix in the 1930s was a resort where a cosmopolitan, fashionable and sporting society thronged, in search of novelties and thrills found in mountaineering. These people rub shoulders with the Chamoniards but do not meet except on the trails of Mont-Blanc. The accident of Joseph, the patriarch of Servettaz, guides from generation to generation, marked the spirits. It is his son Zian who decides to take up the torch. Married to Bianca, the daughter of the wealthy Milanese industrialist who was partly responsible for her father's death, Zian lives out her great love story - a threesome - with the mountain always remaining the most demanding mistress. Tired of the agonizing expectations and loneliness during her husband's ascents, Bianca returns to Italy, Zian joins her, but society life is not his world, he returns to Chamonix. During an outing in the mountains, Zian falls into a crevasse. Bianca, alerted by a presentiment, returns to the one she loves above all...

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Ange leaves New York to fly to his native Corsica. His mother is dying and Ange, who was not present when his father died, wishes to be present at her death. In Corsica Ange finds his brother Baptiste who married Maria, the woman he loved. He finds out that his father was killed, but nobody wants to tell him the name of the killer. And finally he finds two killers expecting him.

After Pablo runs away from being shackled in a cabin, he spends the winter in a cave and emerges as a bear. With the help of a writer, Pablo tries to renter human society.

It's summer and Madrid is almost deserted. Elisa, a young bourgeois woman who is preparing her doctoral thesis, needs the services of a photographer to illustrate her work. She hires Pablo, a somewhat bohemian, strange, and solitary man who lives with his son. Despite an initial misunderstanding, they are mutually attracted to each other; thus begins a relationship that for her is nothing more than a summer romance, while for him it could be a story of love and salvation.

1969 film by Jean Vautrin

1976 film by Pilar Miró

A skirt-chasing fashion photographer meets a charming young woman who captures his interest immediately. She is not wholly forthcoming, but after a period of time, he realizes that he is in love with her -- she is not just another conquest. It takes awhile before he also realizes that she is the partner of his femme associate who is possessive, at the very least.

At the end of 1972, con artist and thief Simon receives a remission to celebrate the New Year outside La Santé Prison. While heading to his apartment in Paris to meet his mistress Françoise, Simon notices that a car is chasing his cab. In the apartment, Simon leans that Françoise has a lover and he leaves the place without being noticed. Simon recalls the Christmas of 1966, when he travels out-season to Cannes with his partner and friend Charlot to heist the jewellers Van Cleef and Arpels. While plotting a scheme to rob the jewellers, Simon meets the intellectual antique dealer Françoise whose shop is the next-door neighbor of the target and he falls in love with her. But his scheme does not work as planned and Simon is arrested.

Frédéric, de retour de la guerre d’Algérie, épouse Sylvie et renoue avec sa vie au quartier Latin. Désoeuvré, obsédé par ses souvenirs militaires, il accepte divers emplois. Devenu photographe, il pense construire enfin une vie de famille. Cette première oeuvre témoigne avec authenticité et courage du contexte historique et politique de son époque.

Tough narcotics detective 'Popeye' Doyle is in hot pursuit of a suave French drug dealer who may be the key to a huge heroin-smuggling operation.

1980 film by Claude Pinoteau