One of the sons of late Dr. Henry Frankenstein finds his father's ghoulish creation in a coma and revives him, only to find out the monster is controlled by Ygor who is bent on revenge.

Sir Karell Borotyn appears to have been killed by Count Mora, a vampire believed to haunt the local village. Now his daughter Irena is the count's next target. Enter Professor Zelen, an expert on vampires who's sent in to prevent her death. At the same time, secrets are revealed surrounding the circumstances of Sir Karell's death.

Young couple Madeleine and Neil are coaxed by acquaintance Monsieur Beaumont to get married on his Haitian plantation. Beaumont's motives are purely selfish as he makes every attempt to convince the beautiful young girl to run away with him. For help Beaumont turns to the devious Legendre, a man who runs his mill by mind controlling people he has turned into zombies. After Beaumont uses Legendre's zombie potion on Madeleine, he is dissatisfied with her emotionless being and wants her to be changed back. Legendre has no intention of doing this and he drugs Beaumont as well to add to his zombie collection. Meanwhile, grieving 'widower' Neil is convinced by a local priest that Madeleine may still be alive and he seeks her out.

Kurt Ingston, a rich recluse, invites the doctors who left him a hopeless cripple to his desolate mansion in the swamps as one by one they meet horrible deaths.

Baggage handlers Bud and Lou accidentally stumble upon Frankenstein's Monster, Dracula and the Wolf Man.

University professor George Kingsley is struck by gangsters while crossing the street, leaving him with brain damage and one of the gangsters, Cannon, paralyzed. Kingsley's friend Dr. Sovac attends to both men, and when Cannon offers him a reward for aiding his recovery, Kovac transplants part of Cannon's brain into the dying Kingsley's skull, creating a dual personality.

A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.

After his brother's death, Larry Talbot returns home to his father and the family estate. Events soon take a turn for the worse when Larry is bitten by a werewolf.

Dr. Eric Vornoff, with the help of his mute assistant Lobo, captures twelve men for a grisly experiment; His goal to turn them into supermen using atomic energy. Reporter Janet Lawton, fiancée of the local lieutenant, vows to investigate Vornoff's supposedly haunted house.

A woman is married to the son of a doctor, the proprietor of a private sanatorium, where she is under unwilling treatment. Both the son and the doctor indicate they want the marriage dissolved. Arriving at the scene is a mysterious personage identified as the doctor's cousin who formerly was a stage magician in Europe. He is accompanied by a threatening dwarf.

An obsessed scientist conducts profane experiments in evolution, eventually establishing himself as the self-styled demigod to a race of mutated, half-human abominations.

Edinburgh, 1831. Among those who undertake the illegal trade of grave robbery is Gray, ostensibly a cab driver. Formerly a medical student convicted of grave robbery, Gray holds a grudge against Dr. MacFarlane who had escaped detection and punishment.

There are some movies that are so bad they're good. And there are some movies that are so bad- that they're just bad...

1931 film directed by Tod Browning

Five tales by Edgar Allan Poe come to life thanks to a pictorical style animation, five tales that exude madness, pestilence, murder and torture.

1939 film by Ernst Lubitsch

Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).

Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.