1973 film directed by José Antonio de la Loma Hernández

A clique of girls in an English school wear a small yellow teddy bear on their uniform to signify that they have lost their virginity. Linda, the girls' leader, fears she may be pregnant from her window cleaner boyfriend, "Kinky", an aspiring pop singer. Desperate, and unable to confide in her parents, she must wrestle with her conscience and decide what course of action to take. Meanwhile, a concerned teacher learns the significance of the yellow teddy bears, and in trying to help the girls in question, puts her own career in jeopardy.

When Sally moves to London to pursue a modelling career, she moves in with Angela and Dee and discovers the world of the carefree bachelor girl in Swinging London. Over one weekend - filled with parties, blossoming friendships, and romantic encounters with Keith and Nikko (Klaus Kinski) - the vivacious girls learn about life's pleasures and pains.

Based on Geoffrey Fletcher’s book, this captivating documentary exposes the real London of the swinging sixties. Turning its back on familiar sights, the film explores the hidden details of a crumbling metropolis. With James Mason as our Guide, we are led on an tour of the weird and wonderful pockets of London from abandoned music-halls to egg breaking factories.

Timothy Lea and his brother-in-law Sidney decide upon opening a driving school as their latest get-rich-quick scheme. Though he sincerely wants to teach, young Timmy finds that his female students are far more interested in keeping their eyes on him than on the road.

Either you've got it or you haven't - some like randy young Timothy Lea (Robin Askwith), manage to get it all the time! Signing up with a pop group, our boisterous hero progresses rapidly from local gigs to scoring a titillating hit with The Climax Sisters, with plenty of ribald adventures along the way!

A lord returns to his manor with his new wife, to hear rumours that he had already secretly returned and had committed several murders. Has he lost his mind, or is something dark afoot ?

Matter-transmitter sabotage leaves a British scientist (Bryant Halliday) disfigured and full of amps.

A seedy writer of sleazy pulp novels is recruited by a quirky, reclusive ex-actor to help him write his biography at his house in Malta.

An outrageous jolt of British exploitation, PRIMITIVELONDON is an exposé of the hidden desires and bizarre vices that percolate behind the exterior of English life. Beginning with the graphic birth of a baby, director Arnold Miller sketches out the options for a child in the new England. So he profiles the stylistic garishness of the mods, the anti-establishment posturing of the rockers and the lonely lives of pinball addicts. The youth are lost (with the adults no better), dissipating their vain lives in plastic surgery, bizarre exercise routines and wild wife-swapping parties. Through all the debauchery and aimlessness, in PRIMITIVELONDON you can discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.

When Watson reads from the newspaper there have been two similar murders near Whitechapel in a few days, Sherlock Holmes' sharp deductive is immediately stimulated to start its merciless method of elimination after observation of every apparently meaningless detail. He guesses right the victims must be street whores, and doesn't need long to work his way trough a pawn shop, an aristocratic family's stately home, a hospital and of course the potential suspects and (even unknowing) witnesses who are the cast of the gradually unraveled story of the murderer and his motive.