A scattershot documentary about punk rock film makers in New York, with contributions from Lydia Lunch, Henry Rollins, Richard Kern, Beth B, Nick Zedd and many others. A love letter to the New York Underground.

Complete strangers meet in a room to act out their sexual desires.

Punk icons Lydia Lunch and Henry Rollins star in this cult drama about a pregnant pianist named Hedda whose marriage to husband Neal (Don Bajema) hits the skids with the sudden appearance of a mysterious stranger.

One of Richard Kern’s most ambitious works is Fingered (1986), whose sarcastic disclaimer says “although it is not our sole intention to shock, insult, or irritate, you have been warned that we are catering only to our own preferences.” The film came about following the criticism of Kern and Lydia Lunch's first collaborative venture: The Right Side of My Brain (1984).

A young woman wanders around New York City and stumbles across a number of strange characters and settings that represent the "underground" areas of the city. She sees stand up comedy in Central Park, a prostitution auction, a voodoo ceremony, an S&M club, and a number of very interesting performance artists. These are just a few of the sights and sounds of New York that she encounters.

Oddballs dancing, leering at camera, guy shaving a nontraditional part of his body and man ripping his own throat out, woman stabbing herself to death.

Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).

Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.

Documentary of Nick Cave and the Bad Seeds' 1989 tour of America.

A detective named Lydia Lunch investigates a band of corporate businessman who seek government defense contracts through real corporate wars and the manipulation of politicians. However, her investigations get her head deep, will she make it out alive

Shot entirely in Ireland and England on film stolen by Nick Zedd, the movie offers a rare glimpse into the unique private world of Lydia Lunch; The footage "narrated" by a break-up cassette sent from Lunch to Zedd.

VIDEO HYSTERIE: 1978 - 2006 An incredible retrospective of her musical collaborations from 1978-2006. This retrospective of Lydia Lunch's musical collaborations from 1978-2006 is an incredible representation of her approach to art. Hailed by the Boston Phoenix as "one of the 10 most influential performers of the 90's", no other artist of the 20th century has fought, forged, punched, and sculpted their own artistic vision in such a uniquely original way. Defying categorization, Lunch actively has conquered new territories, and has gained international recognition for the innovative quality of her work. Robert Palmer from THE NEW YORK TIMES writes "Miss Lunch was always an effective vocal performer. But rock has grown complacent again -- even the underground rock that has borrowed so much from Miss Lunch's various bands over the years. Perhaps it's time for her to administer it a few more rude shocks." This DVD is sure to please anyone in search of change of pace, a stray from the norm.

Performance artist/confrontationist icon Lydia Lunch delivers a brutally frank manifesto in this journey through the heart of contemporary American darkness. Lydia's poetic nihilism is set against a barrage of real-life street-action, scenery, news footage, and the deranged music of J. G. Thirlwell. At the end of the Reagan years, rocker and confrontational performance artist Lydia Lunch launches a broadside. From a formal podium, she attacks the white male power structure of the US. Next she takes on her parents. Then, the volume lowered and the background the streets of New York, she lets us know what she thinks of life, of herself, and of us, anyone who's watching or listening. Life is depression, despair, and death. She's the girl next door gone bad. And us? Compliant sheep. Lunch lays out a challenge. Do you want a buxom foul-mouthed loud punk-rocker chick spewing rage and doom at you? I thought so, then this is the featurette for you. You complacent beer swilling couch potato- hey, wait that's me ! 1988, Lydia Lunch lays down this end -of- the Reagan era rant mixing on -target social commentary with her own personal anger. AND THIS LADY'S REALLY ANGRY. Don't honk her off in a diner or you might be wearing that lasagna home, bub. Lydia Lunch Delivers her scathing postmodern sermon first from a studio, then from various blight sites in the big apple; which form a fitting backdrop for her zesty bleakness. Politicians, parents, men and American consumerism all take a beating from the Duchess of Darkness. So if you enjoy unresolved rage, exhilarating profanity and timeless critiques of politics and human nature check out - THE GUN IS LOADED.

Is pornography an acceptable form of expression - and if so, can distinctions be drawn between different forms of pornography? This documentary raises all of these questions, seeking to provide the answers from the perspective of pro-sex feminism, which asserts that pornography must be wrested from patriarchal control, and that in the hands of women and sexual minorities, it can become a tool of liberation. Director Virginie Despentes (Baise-moi) takes a wide ranging look at the movement and maps the evolution of pro-sex, or "post-porn", from its pioneers like Annie Sprinkle to newer European work like Emilie Jouvet's Too Much Pussy! Filled with roughly two dozen interviews with the likes of B. Ruby Rich, Lydia Lunch, Annie Sprinkle, Catherine Breillat, Del La Grace Volcano, Maria Beatty, Coralie Trinh Thi, Carol Queen, Lynnee Breedlove, Norma Jean Almodovar, and other members of the post-porn movement, Mutantes is part of a very queer feminist revolution. Exploring in comprehensive fashion the various sexual niches of punk porn, queer porn, SandM, and transgender, the film goes a long way toward demystifying a movement that has been several decades in the making.

PBS produced documentary in two parts: the first is dedicated to saxophonist and composer John Zorn; the second is about Sonic Youth at the height of their powers in 1988.

A No-Wave erotic horror exploring the aesthetics of kink, sadism, mutilation and suicide.