Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under the pressure when an actress arrives to do research for a film about their past.

Inside the Actors Studio,Season 11, Episode 7

娜塔莉·波特曼和露皮塔·尼永奥将主演苹果新剧《湖中之女》(Lady In The Lake)。改编自Laura Lippman所著同名畅销书，讲述1960年代的巴尔的摩，一件谋杀悬案让家庭主妇/母亲麦迪(波特曼)重新干回了调查记者的本行，也让她和另一个女子克莱奥(尼永奥)发生了碰撞，后者正在努力同时面对工作与作为母亲的责任，和一个充满激情的承诺。两人将一同推动巴尔的摩黑人进步的议程。 该剧由阿尔玛·哈勒(《宝贝男孩》)和德瑞·瑞安(《高堡奇人》《殖民地》)打造，让-马克·瓦雷(《大小谎言》《达拉斯买家俱乐部》)的制片公司参与制作。

Enjoy The Hollywood Reporter's Full Actress 2017 Oscars Roundtable with Emma Stone ('La La Land'), Taraji P. Henson ('Hidden Figures'), Annette Bening ('20th Century Woman'), Natalie Portman ('Jackie'), Naomie Harris ('Moonlight'), Isabelle Huppert ('Elle'), and Amy Adams ('Arrival' 'Nocturnal Animals').

华美夜晚，宽敞考究的宅邸内，优美曼妙的钢琴旋律悠然响起，宛若一股清泉流过心田。镜头前，一位美丽端庄的夫人（娜塔莉·波特曼 Natalie Portman 饰）端坐在梳妆台前，优雅自在地梳理着她那卷曲的秀发。这时，身着黑衣的女人（米歇尔·威廉姆斯 Michelle Williams 饰）推门而入，她不发一言，分外疲惫，沉沉地坐在梳头女子的身后，叹了一口气，将头靠在对方的肩头。突然，黑衣女好像嗅到了什么，随即将目光锁定在梳妆台上的一尊香水瓶。她将瓶子拿起端详，却很快被梳头女子抢了过去。钢琴演奏并未停止，但两个女人却为了这瓶香水展开激烈的争夺……

Angie Tribeca makes television history by going where few shows dare to go: a third season. In pursuit of an animal rights activist turned serial killer, Tribeca, Geils, and Tanner travel outside of their jurisdiction to New Orleans, New York, Miami, outer space, and Universal Studios Hollywood.

娜塔莉·波特曼确认将自导自演一部未定名传记片，该片聚焦专栏作家双胞胎姐妹艾比·盖尔·范布伦、安·兰德斯。二人原名姓费尔德曼，上世纪50年代中期她们分别在《旧金山纪事报》、《芝加哥太阳报》撰写的问答专栏“亲爱的艾比”、“问问安·兰德斯”广受欢迎，但两专栏之间的竞争却让姐妹关系走向敌对。波特曼饰这对双胞胎姐妹，编剧卡蒂·罗宾斯(《婚外情事》)，制片彼得·萨拉夫([阳光小美女])。波特曼曾在2015年首执导筒，执导以色列电影[爱与黑暗的故事]。新片开拍时间暂未确定。

Natalie Portman's follow up to 2006's "Natalie's Rap".

辛普森一家是来自美国普通的五口之家，荷马（丹•卡斯泰兰尼塔 Dan Castellaneta 配音）是春田镇核能工厂的安全检查员，母亲马芝（朱莉•卡夫娜 Julie Kavner 配音）曾经是一个很有思想的女性，自从嫁给荷马后渐渐地适应了主妇生活的定式。巴特（南茜•卡特莱特 Nancy Cartwright 配音）是家中的长子，天性顽皮的巴特经常爱玩一些恶作剧，以至于经常惹麻烦。妹妹丽莎（雅德丽•史密斯 Yeardley Smith 配音）是一个很聪明的孩子，同时还是素食主义者，佛教徒，爵士乐。小女马姬是一个永远长不大的孩子。故事设定于虚构小镇春田镇，从许多角度对美国的文化与社会、人的条件和电视本身进行了幽默的嘲讽，经久不衰。 《辛普森一家》（The Simpsons）是美国福克斯广播公司的一部动画情景喜剧，作为美国历史上最长寿的情景喜剧及动画节目，《辛普森一家》对流行文化产生了极大的影响，也赢取了大量的奖项，更是被《时代》周刊等权威刊物评为90年代最优秀的情景喜剧。

Rebecca, an American who has been living in Jerusalem for a few months now, has just broken off her engagement. She gets into a cab driven by Hanna, an Israeli. But Hanna is on her way to Jordan, to the Free Zone, to pick up a large sum of money.

A commercial for Miss Dior starring Natalie Portman.

Commercial for the fragrance 'Miss Dior' by Christian Dior starring actress Natalie Portman.

根据罗伯特·鲍斯威尔的系列短篇故事改编，7个不同的故事衔接在一起探索人生的幻想与现实、记忆与历史的区别，以及人类处境的快乐与痛苦。

THE HISTORY BEHIND THE STORY OF GUY FAWKES.

2000 film by Matt Williams

After her outlaw husband returns home shot with eight bullets and barely alive, Jane reluctantly reaches out to an ex-lover who she hasn't seen in over ten years to help her defend her farm when the time comes that her husband's gang eventually tracks him down to finish the job.

An unusual video project accompanies this year’s Great Performers photo portfolio. These nine black-and-white films, written and directed by Gina Prince-Bythewood (with two by Ami Canaan Mann), let the viewer inhabit a scene opposite some of Hollywood’s greatest actors, all in a series of classic film-noir scenarios. The action takes place in a dimly lit bar — an enveloping, 360-degree set, with all wiring and lights cleverly built into the scene. And in each short drama, the V.R. camera plays the role of a major character: The stars were instructed to play their scenes with the camera, speaking to it, singing to it, walking around it in circles, firing a gun at it. The result is strange and thrilling, a new sort of moviegoing experience that puts you right inside the frame. This was each actor’s first time performing in V.R., and it took some getting used to. But there was one advantage over traditional filmmaking. Unlike a typical film set, which is full of crew members and equipment and other distractions, the V.R. set, once the scene began, became a closed, immersive fantasy: just a bar, a few actors and the single camera rig standing in for one last character — which is to say, you. –JAKE SILVERSTEIN