A drunken, boorish general tyrannises his wife and his maid. When the wife discovers that her husband and the maid are having an affair, she turns the maid out of the house, little realising that the young woman is pregnant with the general's child. Years later, the general is dead, and a younger generation has risen with a new outlook on life and new problems to face... This flamboyantly stylised melodrama, loosely adapted from Ibsen, is the newest work by one of the legendary figures of Iran's New Wave.

A once thriving reception hall has been reduced to catering to the funeral business and the somber rituals of death. The owner, Soleimani, is a sour, lonely and unloved old man who treats his workers with contempt, inflicting small cruelties whenever possible. Embittered and seeing a psychologist, he decides he will close the business in twenty days, sending his staff, already fighting just to get by, into a state of fear and uncertainty. Like a close-knit family, the staff members endure their daily suffering together. These good-hearted people include an ostracized young widow trying to survive with her daughter; a chef with a paralyzed arm who has a demanding wife; and two young men, working but homeless, who must sleep in the company's truck. Despite Soleimani's indifference to their plight, the people on his staff have retained their hope and humanity. As the threat of closure nears, they work together to save the hall and at the same time attend to each others' emotional needs.

The fault lines in a marriage become evident when an out-of-town couple and their child arrive for a corporate trade show at a Tehran hotel. Accustomed to berating his pretty wife for her shy demeanor and her suburban manner, the husband is taken aback when she blooms under the attentions of a male colleague and is given a role in planning his company’s presentation. (Gene Siskel Film Center)

Sheida intends to travel abroad to seek treatment for her daughter, but due to her husband's secrecy and lies, she faces a horrible event that changes her life forever and...

A greedy husband (Hayayee) is found to be cheating on his wife, who immensely adores him. With the help of her friends, she plots revenge on him.

Siavash, a young man burdened by the mysterious suicide of his father, finds himself entangled in a web of family intrigue. His uncle, managing his father’s estate, seeks to marry Siavash’s mother, a union Siavash vehemently opposes. Amidst this turmoil, Siavash’s love for his cousin Mahtab, whose father is his uncle’s councillor, complicates matters further. As the day of the union approaches, Siavash is struck by a profound realisation: his life bears a striking resemblance to Shakespeare’s Hamlet. This revelation ignites a series of questions, challenging his understanding of the true nature of his father’s death.

Manijeh Hekmat is an Iranian film director. Born in 1962 in Farmahin, Iran, she has worked since 1980 as an assistant director and production designer in over 25 films. She directed her first feature film Women's Prison (Zendān-e Zanān) in 2002. This film has been shown at over 80 international film festivals and has received seven prizes. Three Women (Seh Zan) is Hekmat’s second feature film made in 2007.

A doctor graples with family difficulties while trying to find a cure for cancer.

Elham is a young, divorced Iranian woman. Seeking to find herself after a near-fatal beating by her husband, she finds solace and salvation in the water and soon makes her mark as a formidable endurance swimmer. In the fight of her life, Elham faces political, religious, and personal obstacles in search of her goal: the Guinness World Record for swimming the longest distance with hands bound.