Adèle vit dans l'ombre de son mari, Ferdinand, artiste-peintre. Après le décès du père, ils quittent la province pour Paris. Elle peaufine ses toiles et le console. Grâce à son coup de pinceau, Ferdinand découvre la gloire et le succès. Et l'amour dans tout ça ? Sacrifié sur l'autel de la création...

Hélène Noris, a young Belgian woman from a bourgeois family, is haunted by a past affair with Tamara — now married to her father. Torn between desire and resentment toward Tamara’s conformist life, Hélène feels alienated in the provincial world she inhabits. To boost his social image, her stepfather René invites Parisian director Jean Gerfaud to stage an avant-garde version of Tartuffe. Tamara flirts with him, but Hélène seduces him first. A passionate, destructive affair begins, entangling love, jealousy, and ambition. When the play’s scandalous premiere sparks outrage, Jean marries Hélène, provoking Tamara’s fury. Yet Hélène, restless and defiant, betrays him with a soldier. In rage and humiliation, Jean confronts her in the “red room,” the space that once embodied their love and now their ruin.

Mario, the son of a police captain killed in the line of duty, is completely surrendered to the police organization. Instructing some errands meet Elsa, original and fascinating beauty, beginning an illicit affair and exciting. This makes his firmest principles are shaken, transformed his life completely absurd entering a maelstrom revolving around the existence of Elsa surface.

The head of an aristocratic family died, so everyone gather to mourn him and see who gets what from his estate. Greed, lust, love and class conflict between the family and their payed servants create a real mess rather quickly.

American FBI agent Lemmy Caution arrives in France to track down a dangerous spy.

Six people find a mysterious mark in the center of their left hand and all independently go to Easter Island in hopes to uncover the mystery.

Al Pereira, a wise-cracking superspy, investigates a series of assassinations being performed by ruthless killers with bronze skin and horn-rimmed glasses. The trail of these mindless automata leads him to the lair of a seductive villainess who has formulated a computer-powered plot to overthrow the governments of Europe. 'Cartes sur table' is at once an homage to classical Hollywood thrillers and a playful riff on the newly-popular James Bond films.

A nightclub singer is haunted by the ghost of her late father. The dead man summons her through a mirror, forcing her to commit a series of violent crimes.

In a seaside villa, under the care of a nanny, a group of children spend most of their days watching violent television shows.

An ex-convict struggles to survive by brute force alone in a turn-of-the-century slum in Bucharest. Codine is the thug who served 10 years for murdering a friend. He returns home to his miserly mother, whose penny-pinching ways infuriate her son. A young boy looks up to Codine, and through the man's eyes he sees the economic and social injustices from an adult perspective. When Codine kills another man who violated his trust, his mother becomes more unhinged and paranoid. Thinking her son will steal her hoarded money, she plots to kill her only son. The impressionable child watches in horror and amazement at the cruel machinations of the adult work that surrounds him.

Alexandre, a young and honest farmer, is oppressed by an authoritarian wife, who makes him work like a dog. When she dies in a car crash, he decides to stay in bed, absolutely free and inactive. Just a dog is occupied to carry food and newspapers to him.

1963 film by Alain Robbe-Grillet