录音时间： 1958年7月、12月

Recorded at Konserthuset, Stockholm, on the evening of Tuesday March 22, 1960. Interviewer on tracks B2 and C1 is Carl-Erik Lindgren, who also made this private recording of the concert with the help of engineers from the Swedish Radio.
Bass – Paul Chambers
Design [Album] – Tandemkreatörerna AB
Drums – Jimmy Cobb
Liner Notes – Jan Lohmann
Photography By – Bengt H. Malmqvist
Piano – Wynton Kelly
Recorded By – Carl-Erik Lindgren
Tenor Saxophone – John Coltrane
Trumpet – Miles Davis
Voice [Interviewer] – Carl-Erik Lindgren (tracks: B2, C1)

Having spent most of his time since the late '90s re-appropriating pop, funk, rock, and fusion elements into his progressive jazz albums, bassist Christian McBride makes a joyously off the cuff return to straight-ahead acoustic jazz on 2006's New York Time. Working here with the seasoned rhythm section giants of pianist Cedar Walton and drummer Jimmy Cobb as well as an equally engaging contemporary, tenor saxophonist Javon Jackson, McBride has crafted a back-to-basics album that, while firmly in the mainstream jazz tradition, works to remind listeners why they dug him in the first place. New York Time is as creatively inspired, forward-thinking, and unexpected as 2000's Sci-Fi and 2003's Vertical Vision are with their mix of electronic-funk and angular, postmodern jazz, and McBride can't escape the fact that his true gift is for swaggering, double-breasted, no holds barred, late-night, straight-ahead modern jazz. Primarily, it's his big, full, commanding double-bass tone that not only drives his bandmates forward, but buoys them on fat swells of sound. It's that natural acoustic tone and earthy pulse of McBride that fit so well with this kind of no-fuss jazz. It's also that sound, paired with the soulfully urbane and elegantly muscular chops of Walton, Cobb, and Jackson, that makes New York Time a jazz lover's dream.