Sun-mi works at a reception desk of a public institution in Daegu, Korea. Nothing happens to her, and she has the same lunch every day. One day, a message is sent to her. This little incident in her ordinary life stimulates her curiosity. Saturday morning, a film director Ga-young participates into a Q&A section of her new movie entitled The Murder at Cinema. Eun-jung, a foreman in a production line, tries to find Min-cheol who disappeared with the book of accounts. She meets his acquaintances to ask where they saw him, and finally she heads to the cinema where she heard that he often visits.

Jay, a promising young writer, is publishing her new book, while her boyfriend Geonwoo, who teaches at a private language school, is tipped for promotion. They love each other, take care of each other, and have a great rapport. Until an unplanned pregnancy throws them off course. They didn’t want a child and starting a family would jeopardise their career prospects. Yet who’s to have the last word if they can’t agree on a solution to the situation? The Korean director presents a tale eclipsed by a sense of dejection in a subtle portrayal of a couple arriving at a crossroads in their life together. When else should one break the taboos of parenthood and the preconceptions of motherhood than when a woman’s right to decide what happens to her own body is again called into question. 源自：