Shinsuke, a pink film director, is no longer able to have sex with his wife Shigure, and instead he has an affair with Kanae, a married woman living in the same apartment complex, to vent his desire. When Kanae sends photos of their outdoor play to a magazine, Atsuo, Kanae's husband, sees the photos and asks Shinsuke for swapping...

小宮鏡子は26歳のキャリアウーマン。会社では「小宮女史」と呼ばれる女係長だ。仕事一筋で男とほとんど付き合ったことがない彼女は、楽しげに遊んでいる同僚たちがうらやましく、軽く憎しみさえ覚えていた。そんなある日、彼女は独りで歓楽街を訪れ…。

Director Daisuke Goto, the master of the cinematic Pink Eiga, is back with this retelling of the classic film noir, The Postman Always Rings Twice. A married woman, tasked with running her handicapped husband’s failing printing business, meets a drifter and they fall in love. Soon a plan to murder the husband is put into motion and the forces of fate begin to show their hand. Featuring bravura filmmaking, fantastic performances and steamy sex, the Mourning Wife is a worthy follow up for any fan of Daisuke Goto’s masterpiece A Lonely Cow Weeps at Dawn.

An erotic violence story in which two female detectives tackle violent crimes using their good looks and bodies as weapons.

君香从昏迷中醒来，发觉周围一片黑暗，自己的双手被铐住了，好像身处大楼的锅炉房里。突然，一个穿着奇怪衣服的人靠了过来，他的声音很奇怪，明显是通过变声器发出来的。 君香的父亲大介是某建筑公司的社长。妻子死后，他经常和秘书偷情，和女儿的关系并不好。他没发现女儿已经遭到劫持。电话铃响起，里面传来君香发抖的声音，大介才意识到事情的严重。 在无处可逃的密室中，君香遭到了侵犯。然而交缠之间，她对犯人产生了微妙的感情…… 由AV女星主演，并且依然是一个关于监禁的老套故事，说了这些你就能明白了这部电影依仗的是什么势力了？是的，更直接的性场面，更凶狠的声音，更彻底的黑色之爱，和更令人难受的什么爱！这当然不是什么电影，所以如果你还要谈什么文本、情节和日本情色文 化之后的民族心理，我只能说，你显然丧失了一些基本能力，或者说欲望。

A young widow, Noriko, lives with her senile father-in-law, Shukichi, on a farm. He believes his favorite cow, long gone, is still alive. Noriko pretends to be the cow and lets him milk her - a satisfying arrangement for them both. Shukichi’s daughter discovers their bizarre relationship and tries to put an end to it.

Director Daisuke Gotoh clearly doesn't understand the erotic psychology behind a successful (or even interesting) women-in-prison film. I mean, the primary component of dykey-women-molesting-other-women-behind-bars seems to have completely escaped him in this one! Yoko Saito is certainly well-cast as the pretty Scorpion, unjustly accused, convicted, and thrown into a California women's penitentiary on clearly spurious grounds. But once she's there, nothing even remotely interesting happens. Yes, there are some dykey-looking women about, as well as some pretty young female inmates just waiting to be sexually victimized by them. But it never happens. There's really no lesbianism whatsoever. Instead, it's the male warden and his guards doing all the dirty work. So why the women-in-prison setting? If he didn't want to include scenes involving girls with other girls he should have set this story in a nightclub or brothel. Obviously this director knows (or cares) nothing about this genre of films, and it was very disappointing as a result.

Official selection NY Aisan film festival 2009. A blind girl falls in love with a ventriloquist by just listening to his voice. However, when she meets him, she mistakes his friend for the ventriloquist. She starts dating his friend without realizing it's the wrong man...and not the man she fell for

Kou is a cook with a dream, living alone in Tokyo. When news of his father's death arrives, he hastily returns to his hometown. Faced with the pressure from his family to marry, he flees to his childhood secret hangout, only to accidentally run into his high school teacher Eiji, whom he had a crush on. Eiji's appearance stirs up feelings in Kou's heart; can their forbidden love come true?

When a valuable suitcase is stolen, the mob, petty criminals, and a beautiful agent from the Elite Zero division are pulled into a battle to settle the score.