After discovering a dark window which appears on the wall every midnight two boys decide to investigate the mystery of a dark room behind the window.

Spring of 1921. NEP (New Economic Policy) initiation rapidly changes Petrograd which was lifeless after wars and revolution. Marches and hymns are mixed with foxtrot and chanson. Well-dressed people appear on river quays, as well as thugs who are ready to rob them of money. So the chaos starts and it is invincible for police: shops are robed five times per day. Then the criminal world of Petrograd headed by Uncle Kolya comes to defend NEPmen and starts to run a protection racket on them. But not all the NEPmen are ready to pay for these services what makes Uncle Kolya to send his combat groups to these people. The most famous and productive of these groups is the Rodya’s gang. Rodya is former anarchist, sharp thug, fancy pants and ladykiller.

About the incompleteness and insufficiency of the simplest senses: touch, sight, hearing. In cinema, this view traditionally denotes a collision between the authentic and the illusory. Truths and imaginary things are given in the film as images of feelings. “I love to forget time with you,” the heroine says to her blind lover and adds, "You are the most sighted of all the sighted."

A father takes care of his only teenage son with unusual intensity and passion, which results in the son feeling suffocated. Trying to free himself from home, Andrej finds escape among his teenage friends and, above all, with a new girl.

A maniac terrorizes a town during rainy nights. And exactly on one rainy night a student has a night shift in a 24-hour shop. And exactly on this night the owner of the shop goes to play in a casino, his wife wants to be entertained, a detective is awaiting for a crime to be committed and certainly... the maniac begins hunting.

Short stories that seem to be absolutely different, none of the main characters is connected with the other one, each following story is totally unlike the previous one. Only in the end of the film the viewer gets the clear explanation of the neighborhood of the described destinies and the connection between the characters.

Russian historical television series

film

Sergei and Simon have to deliver a suitcase full of heroin to Mikhalych or else they will be killed. There is one minor detail: the only problem-solving technique they are familiar with is a shot in the head.

When his father sells their baby camel Altynka, his mother, Mara, escapes to be find her calf. Her disappearance is a potential disaster for the family so eldest son, Bayir, takes off to retrieve her. What follows is part road movie, part coming-of-age as Bayr adventures across the Kalmyk steppe.

Miron Alekseevich, director of a paper and pulp mill, goes to bury his wife Tanya in the place where they once spent their honeymoon. He goes not alone, but with a photographer named Stork, to whom he tells touching details of his life with Tanya. The narrative weaves together the memories of the characters, as well as the rituals and beliefs of the Meri people, a small Finnish tribe that once lived in the Northern Volga region and dissolved among the Russians.