experimentalist Joseph Beuys made one of the weirdest recordings in the avant-garde music history...
squared felt piles with embedded (inserted) reel to reel recording (32 minutes running time). Numbered, signed and stamped label affixed. One of 100 examples issued. The recording is of a Fluxus concert (of the same name) performed at the Staatliche Kunstakademie Dusseldorf in 1968. Beuys explained the importance of felt as 'With the greyness of felt I produce an anti-image. I evoke a world which is translucent and clear, maybe even transcendental, a very colorful world'.

Schottische Symphonie (from "Celtic")
Recorded at Edinburgh College Of Art, August 21, 1970. Mono recording.
Op.50, Requiem Of Art (from "Celtic")
(Fluxorum Organum II)
Stereo recording.
Limited edition of 500 numbered copies.
Comes in a gatefold sleeve.