Bernhard works as a warehouse clerk in Munich. After being sentenced to probation for a physical altercation with a right-wing extremist, he could no longer continue his engineering studies. Bernhard meets Johanna. She comes from a well-to-do family; her father is a real-estate developer and her brother is in the diplomatic service. Bernhard wants to share his roots with her, so the two go to Prague, where he lived until the end of the war. But her father disapproves of the trip to the Eastern bloc. When Bernhard finds out that he owes his chance to develop new technology, which led to his career advancement, to his girlfriend’s father, he is upset …

Karel Doležal, insurance clerk and exemplary father of a family, leaves for a business trip with his secretary Vlasta. After spending the night together, they both return home. However, thanks to a small moment of inattention, they run over the boys. Karel runs away from the scene of the crime. He won't tell anyone what happened. Then when he reads in the newspaper that the boy did not survive the accident, he begins to feel guilty. He confides in his wife about the accident, not the infidelity. Their son Jirka overhears everything. His father has always been his role model, and that's why he doesn't want to accept his guilt.

Ordinary man making his dirty actions in the small town and his coming to the right side.

A new teacher with high standards and a strong sense of duty replaces an easy grader. Once bad grades begin to pile up, a product of his predecessor's subservience to the system, the new teacher has to stand up for himself and his students.

Several bittersweet stories set in a Prague apartment building.

1982 film by Petr Schulhoff

1947 film by Miroslav Cikán

This castle has its own ghost - a mysterious White lady. She emerges from the painting on the wall when someone speaks out magic formula. White lady is good ghost, she can make someone's wishes true. Even if it is a new duct. But a miracle is not the thing that Communist leaders want in the town.

Based on the only extensive prose work by the surrealist painter Josef Capek, Shades of Fern most resembles the philosophical fairy tales and fables of Josef’s older brother, the legendary Czech novelist and playwright Karel Capek. Two young poachers, more boys than men, kill a gamekeeper when they are caught illegally hunting. Panicked, they retreat into a forest that grows steadily more forbidding and deadly as their fear for the future—and guilt over their action—mounts. Loosely based on hundreds of oral folk tales and legends that haunt the woods of Czechoslovakia, Vlácil’s contemporary updating artistically underscores the relationship between man and nature, crime and punishment, isolation and society, and guilt and memory.