时装，是美得不可能的艺术，同时也是无法避免的商业生意。
然而，总有人脱俗出尘。Dries Van Noten，是时尚界的谦谦君子，25年来，他不赶流行，不追season，不靠财团营运，只靠个人品牌鹤立鸡群。《Vogue》说他是独立设计师的佼佼者，《纽约时报》形容他是「a man of little ego and big ideas」。在这个浮夸时代，Dries Van Noten继续专注低调，不到纷华靡丽的巴黎争妍斗丽，安静的在比利时做自己认为不褪流行的「时尚」。
让我们跟随导演Reiner Holzemer的镜头，潜入这位时尚君子的365天——从漫步家中花园、埋首工作室的日与夜，到台后的绝密片段；加上时尚婆婆Iris Apfel站台与Radiohead低音结他手Colin Greenwood的配乐，细看Dries的15’春夏系列，如何以优雅的姿态，温柔地俘虏时尚界的心。

马丁·马吉拉是最神秘的时尚设计大师。 他从不公开露面， 从不接受录像采访， 不让杂志拍照。 在很长一段时间里世人都不确定他长什么样。如同其为人颠覆了名利场的规则， 他的服装设计更是彻底无视所谓时尚的金科玉律。 他的秀场在停车场、 地铁站和荒地里。他的标志是被遮盖的模特的面部、 粗糙的剪裁。 秀场废弃的布置道具、 塑料胶带、 写过字的废纸……一切皆可做云裳。 他的服装设计里充满了戏谑和解构， 也充满了意义、 批判和思辨。

Holzemer, who has previously directed documentaries about Dries Van Noten, Anton Corbijn, William Eggleston, David Lynch and several other important artists, accompanied Eidinger during the summer of 2021, when the 45-year-old actor was preparing for, and starting to play, the main part in a stage production of Everyman. The Play of the Rich Man's Death by Hugo von Hofmannsthal. The play, which became one of the hits at this year’s edition of the Salzburg Festival, provided Holzemer with an opportunity to glimpse Eidinger's intensive working method while preparing for a new role. Holzemer subsequently followed Eidinger to the USA for his first appearance in a major Hollywood production.

William Eggleston was born in Memphis, Tennessee and grew up in a wealthy family in Mississippi. He is considered a pioneer of modern color photography. He achieved early fame with a one-man show at the New York Museum of Modern Art. The show's title was unpretentious and to the point: Color Photographs by William Eggleston. The photographs, which were taken in Memphis and Mississippi, showed everyday motifs as well as friends and family of the photographer. Prints were made using Eggleston's characteristic dye transfer process.
Although panned by critics and widely misunderstood, the exhibition marked the beginning of modern color photography. Eggleston influenced generations of young photographers, artists and filmmakers including Jurgen Teller, Andreas Gursky, Sofia Coppola, Gus van Sant and David Lynch.
The film documents how Eggleston came to develop his technique of art photography. It shows the first black-and-white photographs made at the beginning of Eggleston's career. Here the influence of Henri Cartier Bresson's decisive moment is still evident. Yet Eggleston went his own artistic way early on. Elements of his later work in color can already be discerned in the composition of the black-and-white photographs.
Reiner Holzemer visited Eggleston in Memphis in the fall of 2007. For the first time, he was able to get the photographer to talk about his artistic background and concept of photography. Up to then, Eggleston had largely refused to answer such questions. Of his photographs he says, I am at war with the obvious.