The naive Evelyn Warren, elected school teacher of the year by Time Magazine, goes to Las Vegas, where she loses a lot of money. In order to pay her debts, casino manager Matt Braddock asks her to take care of his sad little daughter Diana.

A bickering husband and wife decide to go to a lawyer to get divorced. When in the office, they present their sides of the same story, of which they are wildly different.

1939 film by Douglas Sirk

Before he became cult director Douglas Sirk, Detlef Sierck cut his teeth on such lavish European star vehicles as Das Hofkonzert (The Court Concert). Marta Eggerth is cast as Christine, a young singer who aspires to find out who her father was. Her odyssey brings her to the court of a mythical kingdom, where she is romanced by handsome lieutenant Walter (Johannes Heesters). He is warned not to lose his heart to a "commoner," but all turns out all right when King Serenissimus (Otto Tressler) turns out to be Christine's long-lost daddy. Hofkonzert was designed as a comeback for Marta Eggerth, whose star had eclipsed by the mid-1930s.

A young GI elopes to Las Vegas with his housekeeper’s daughter, but delays to their wedding night arise from illness, her manipulative mother, and a house full of relatives.

A Catholic priest fights against his colleagues' immediate acceptance of an ambiguous “miracle”.

After her husband dies, a German woman who gave up her infant for adoption to emigrate to America returns to Germany, discovering that her child is being raised by a married orchestra conductor.

Roman centurion Marcian is captured by Attila the Hun en route to Constantinople, but escapes. On arrival, he finds the eastern Roman emperor Theodosius plotting with Attila to look the other way while the latter marches against Rome. But Marcian gains the favor of Pulcheria, lovely sister of Theodosius, who favors a united Empire.

Bourbon Street Blues is made after Tennessee Williams' play The Lady Larkspur Lotion.
"In a rundown French Quarter boarding house, Mrs Hardwick-Moore, a faded beauty in an alcoholic tailspin, chooses to remain blanketed in her delusional dream world, despite its conflict with the reality presented to her by a brusque landlady. This brief, yet intensely evocative, character study is widely considered to be a preparatory sketch for Blanche DuBois in A Streetcar Named Desire.”

Don Pedro, the elegant landowner of Puerto Rico, is conquered by Astree, the rebellious travelling Swedish woman. They get married and have a child. Their relationship begins to change and Don holds Astree a prisoner. Homesicked, all Astree's pent-up hatred of her husband and his island breaks out when her childhood friend Dr. Sven appears to investigate the cause of a vicious fever to which the island has fallen prey. Don is determined at all costs to prevent the epidemic from becoming public knowledge in order to save his fruit export business.

Beauty contest winner Patricia Knight's one bid for screen stardom was Columbia's Shockproof. Knight plays Jenny Wright, a convicted murderess paroled in the care of probation officer Griff Marat (Cornel Wilde). What begins as an aloof professional relationship eventually blossoms into romance. The fly in the ointment is shady Harry Wesson (John Baragrey), the gambler who inveigled Jenny into committing murder. The girl is torn between creature comforts offered her by Wesson and the promise of a clean life offered by Griff. This early Douglas Sirk effort contains a smattering of the stylistic touches which distinguished his later work.The screenplay was written by famed director Samuel Fuller, known for his gritty realism and hard-boiled style.
~ Hal Erickson, All Movie Guide

1947 film by Douglas Sirk

在维多利亚时代的伦敦，夜总会歌女格洛丽亚·文为她虚荣懦弱的上流社会情人~~~军官艾伯特·芬斯伯里爵士背负刑事责任，后者伪造了一张支票。格洛丽亚被判在澳大利亚的Parramatta监狱服刑七年，那里如同地狱一般。芬斯伯里同时也作为总督的副官被派往澳大利亚，并与总督女儿结婚......

In 1815, Michael Martin, member of an Irish revolutionary society, turns highwayman to support it, and soon becomes an outlaw. In Dublin, he meets famous rebel "Captain Thunderbolt" and becomes his second-in-command, under the name "Lightfoot."

Sprich zu mir wie der Regen is made after Tennessee Williams' Talk To Me Like the Rain.
"There are two unnamed characters: Man and Woman. They live in a cold-water flat on the Lower East Side. He is a drunk. She is wasting away to nothing. There is intimacy between them – the intimacy of desperation. He woke up that morning in some random hotel in a bathtub full of ice cubes. No idea how he got there. He found his way home. Meanwhile, she has drunk nothing but water for 3 days. She stares out the window. She is wasting away. On purpose."

Three years after the end of the Apache wars, peacemaking chief Cochise dies. His elder son Taza shares his ideas, but brother Naiche yearns for war...and for Taza's betrothed, Oona. Naiche loses no time in starting trouble which, thanks to a bigoted cavalry officer, ends with the proud Chiricahua Apaches on a reservation, where they are soon joined by the captured renegade Geronimo, who is all it takes to light the firecracker's fuse...

Sister Mary presides over a convent where a convicted murderess, who is being escorted to Death Row, is stranded by bad weather. She is slowly becoming convinced that Valerie is innocent so Sister Mary sets about to clear the girl and bring the real killer to justice.

A woman wakes up in the middle of the night on board a train, but she can't remember how she got there. Danger and suspense ensue.

Hitler's Madman is based on an all-too-real wartime atrocity. John Carradine portrays Heydrich, the vicious SS officer put in charge of Nazi-occupied Czechoslovakia. Heydrich is killed by the Czech underground, prompting the Nazis to plan a horrible retaliation. The Gestapo selects the Czech village of Lidice for annihilation: They kill all the male villagers, throw the women and children into concentration camps, and torch Lidice into nonexistence. The victims of Nazi tyranny become martyrs to the underground cause, ending the film on a note of triumph. Based on a narrative poem by Edna St. Vincent Millay, Hitler's Madman was produced by the "poverty row" PRC studio, but was sold to MGM and given a class-A presentation at choice theatres throughout the U.S.