Miharu, who dreams of marrying a wonderful prince like Cinderella, stays in Kirita's room. Kirita has just become a celebrity. Meanwhile, Miharu's junior colleague Tama-chan is enjoying SM play with the pervert Tashiro. Miharu develops feelings for Kirita, but Kirita has no ability to hold a woman. One day, she begins a physical relationship with Puff's manager, Shou. After 5pm at QL, Miharu, looking for Tama-sama, can't help but smile at the new man who approaches her today!

A woman has recently married an adult toy manufacturer. He researches new vibrators in the product development department. She hopes that if she marries such a man, she will be able to use the vibrator as much as she likes and have fun every night, but her husband never uses a vibrator on her. She is extremely dissatisfied with this. Meanwhile, her husband's boss, the section chief, is currently developing an anal vibrator, and in the name of experimenting with it, he only uses the anal vibrator on his wife. Her boss's wife wants him to use a normal vibrator, but she is dissatisfied that he only uses it on her anus. As the wives were talking about this, the new wife expressed her interest in anal vibrators, so they decided to swap husbands and have fun with the one in the front and the one in the back. They immediately decided to swap wives...

Tsuda, a former Self Defense Force officer who now works as an entertainment agency, is asked by his former boss to investigate a man named Hiraoka. Hiraoka is connected to a case in which a former worker at a nuclear power plant was found drowned. Behind the request lies a great conspiracy concerning the shameful side of the political world...

One of legendary "pink" director Hisayasu Sato's first of over 50 examinations of love and sex among the dregs of society, this downbeat picture deals with a sleazy rapist (Taketoshi Watari) who starts a doomed romance with a sullen teenage reject.

When a woman applies makeup for bed, she transforms into a cute beast.

After his wife and child committed suicide, Sasaki was so shocked that he quit his job and has been living a modest life painting. Then, by chance, he meets up with an old colleague and heads to the home of his colleague's wife, Sachiko, who is waiting for him. In fact, Sachiko and Sasaki have been having an affair for a long time, and that day they have sex next to their colleague as he sleeps. Sasaki also begins to have a physical relationship with Sachiko's younger sister.

A married woman who is a "revenge contractor" who takes revenge on men on behalf of women who have been wronged by her ends up being embraced by the man she is targeting...

An abusive psychologist enjoys torturing and abusing his wife. After rough sexual session of pain and dominance she decides to leave her husband. Then her masochistic twin sister arrives and of course plenty of kinky sexual torture and bondage happens next.

瀬々敬久に師事し、ピンク映画から監督としてのキャリアをスタートさせた最後の世代である坂本。8年ぶりとなる新作では、5年前に消えた娘を探し、喪失感を抱えたまま生きる夫妻の姿を描く。涼子は出版社に務める夫の雅之とともに、娘の手がかりを求めて街頭に立ち、道ゆく人に情報提供を呼びかけていた。そんなときチラシの配布を手伝ってくれる莉奈と出会った2人。涼子は子供のいなくなった心の空虚を埋めるかのように、出産を控えた莉奈との交流にのめり込んでいく。

早纪通过了面试，为了成为演员独自去了东京。开始的时候，一切都那么新鲜，每天就是取材、摄影，时间安排的十分紧张，这令早纪有些吃不消。一次电视剧拍摄中被导演点名批评后，早纪极其的失落，这时同时出演这出电视剧的丸山温柔的安慰她，叫她不要气馁。自打这次拍摄后，早纪就暗暗的喜欢上了丸山，可是丸山早已经成家……

Cult director Hisayasu Sato teamed up with actor-screenwriter Taketoshi Watari once again for this raunchy tale of a family driven completely mad by rock music. The mother does half-nude aerobics until her son rapes her, and the daughter falls into bed with a female teacher. Despite the shocking goings-on, the film is much more in keeping with Sato’s usual themes of alienation and corrupted innocence than its brutal predecessor.

One of approximately two dozen films in the Chikan Densha series, this one from legendary "pink" director Hisayasu Sato (here working under the pseudonym Hisakazu Hata) is much tamer than his usual sadistic gorefests, perhaps thanks to female screenwriter Kyoko Godai. A suicidal woman (Yumika Hayashi) decides to blow herself to pieces with dynamite on her birthday, but falls in love with a young delinquent on the subway instead. While decidedly nihilistic in tone, Sato's fans may be disappointed that there is nary a rape, whipping, or bloody tooth extraction in sight. Koichi Imaizumi, Kiyomi Ito, and Yuri Ishihara co-star.

記念すべき商業映画デビュー作。卒業式を目前に控えた三人の不良高校生が、在日韓国人と彼と偽装結婚したジャパゆきとの出会いからヤクザとの争いに巻き込まれてゆく。様々な国籍の人間模様に浮かび上がる「日本」と「アジア」を力強く描き出した青春冒険劇。

A female detective tries to live a life of surveillance and of spying on couples having affairs while her husband is in a strange coma.

Fugitive Jack is doing everything in his power to evade both the police and gangsters. Assuming he’s in the clear, he moves in with Keiko, a pornstar whose early life in an abusive family still haunts her.

Halcion days, 16 November 2000
Author: white pongo ([email protected]) from tokyo japan
Having lived in Tokyo for almost two years,i can confirm my suspicions that Sato is one of the most Japanese directors working today.His films could not be made anywhere else by anyone else.His unwavering,logical dissection of a central theme (usually something to do with psychosis and obsession) spiralling towards a nihilistic, doomed (and romantic) ending is in keeping with a dark strain that's been in Japanese culture since it's inception.Xenophobic film watchers who think this is a scary mirror of modern Japanese society should however,not take it so seriously.THE BEDROOM is a very hard film to write about.It has no asides.All the usual cinematic bull**** has been lyposucked away leaving a economic, tight and intense story that goes from A to B swiftly and leaves the imprint of a film behind without actually developing fully.But it doesn't need to.It's like a song that never repeats that riff you like so much enough to fully satisfy you,so you listen again.And (if his whole back catalogue was available in English) i would immediately put on another Sato movie after this.They are as obsessive and addictive as his characters.Unredeeming,anti-social and seriously well-made.One day,some film-maker will push forward Sato as an influence and maybe people will take notice.But until then,his small fan base will watch them in darkened rooms in dark cities trying to replicate a fever dream.

因心理疾病的缘故，中年男子永野（佐野和宏 饰）从十几岁就住在福岛的精神病院，而今已经过去40年的岁月。2011年的东日本大地震，迫使永野随同众人四处避难。在此期间，他情知自己已经痊愈，于是获准重返社会。与外界近半个世纪的隔离，令永野有如突然回到凡间的浦岛太郎。
在他的心中，依然埋藏着对某个人的思念。而今那名叫幸子（伊藤清美 饰）的女性，为了避难和丈夫、孩子搬到东京居住。得知了对方的下落，永野骑上自行车前往东京……

ひとみは不倫相手の鈴木と共に地方都市へ駆け落ちした。彼女が働くことになったそば屋の常連客・大介は、寝たきりの妻・小夜子の若い頃によく似たひとみに一目惚れし、やがて妻への恋愛感情を取り戻していく。大介の息子夫婦・浩市と早苗の関係も最近ぎくしゃくし、ついに早苗は家を出てしまった。一方、ひとみは鈴木が妻子の写真を大事に持っているのを知り、ショックを受ける…。