Elsa Valentin is in the middle of a brutal divorce and custody battle when she is struck by the appearance of a pretty young girl named Lola (Héloïse Cunin). Her interest in the child grows to an obsession, and she finds any possible excuse to be near her. When Lola's mother, Claire, grows unnerved by all this, Elsa admits she believes Lola is her daughter.

一部以二战为背景的影片，描述的是一个美军飞行员因飞机在比利时坠毁而被当地地下抵抗组织救助的故事，战火纷飞中，飞行员和救助他的抵抗组织已婚女成员之间一段恋情无可救药地……

A girl leaves home to find her runaway brother, and finds several people who change her life.

9岁的玛蒂尔德自从父母离婚之后就跟母亲海伦同住，她的祖父保罗刚做完手术，拥有一间名字叫“长颈鹿的脖子”的书店。12月的一个夜晚，玛蒂尔德拿着一封信去找祖父。是玛德莲的来信，说她祖母失踪了30年，要保罗帮忙一起找到她。第二天早上，他们前往比亚里兹。由此保罗、玛蒂尔德和海伦三人便展开了寻找真相的旅程……

An African high school teacher flees his war-torn country for France, where he falls in love with a Frenchwoman who offers a roof for him and his family.

费莉西泰，拥有一颗简单、神圣、本原和终极的心，如同上帝创世之心。失恋后的她在寡妇欧班太太家找了一份佣人的活，但是无论她多么忠诚勤劳，却始终不能赢得女主人的信任…… 影片根据福楼拜同名短篇小说《简单的心》改编，并获得2009年雅克·普雷韦剧本奖的最佳文学改编作品奖。女主角由法国演技女王桑德里娜·伯奈尔出演，这也是她第二次饰演女佣角色，她以其充满野性和极富张力的演技，诠释了原作，即生命的精彩和人性的高贵。

In a small Breton town, a 10-year-old girl is found murdered. René, her art teacher, a professional painter, is the last person to have seen her alive. The inspector in charge of the investigation immediately questions him. In this small provincial town where people all know each other and regularly meet at the Bar des Amis, René is increasingly unsettled by the other inhabitants' suspicions and by the inspector's investigation. Children stop coming to him for lessons. His wife, Viviane, a district nurse, protects him and supports him with her love. However, a self-centred media-star writer adds to René's confusion...

“Will be at the cinema Sunday night. Sorry”, this is what Manon, 18 years old, writes to her father after a year of absence. Pierre, the father and Ariane, his girlfriend, wait for her at the cinema. Ariane plays the different possible arrival of his daughter, but nothing calms the anxiety of Pierre. He asks his young team of actresses to play the role of Manon for him. When finally Manon comes out of the shadow ... A tense dramatization of the reconciliation between father and daughter in an empty theatre, full of psychic hurts and perverse angers.

The film (and the acting) is superbly done, but the story is intense. I like it for its' dark, thick, "Cul du Sac" psychology but it is certainly not for everyone for that very reason. Set in isolated, rural France makes this film all the more desperate. The film is about strenuous relationships, loyalty - and despair. It is about accepting hardships without really understanding them. It is also about pity and how it is to be distinguished from love and admiration. I've seen many French films with the same intensity and I'm guessing that it will be mostly the French who will enjoy this film. The acting is superb in this film – if you're in the right state of mind and don't loose your concentration. Jean-François Stevenin ALWAYS impresses me. He doesn't disappoint me here either. For general audiences, however, I'd recommend his performance in "Deux Lions au Soleil" which is much more easily palatable than "Peux de Vaches". Despite the fact that I like "Peux de Vaches", I have difficulties recommending it to anyone other than French audiences and perhaps someone with a morose demeanor.

美丽的法国女人安娜（Sandrine Bonnaire姗黛莲•波奈尔 饰）前去会见心理医生，但她错误地走进了会计师威廉（Fabrice Luchini 法布莱斯•鲁奇尼 饰）的办公室。未等威廉开口，安娜便自顾自地倾诉自己婚姻生活中的麻烦和秘密。威廉为他的叙述所吸引，认真倾听下去，并约好下次会面的时间。 但这个误会很快被拆传，安娜愤而离去，不久再次返回。所不同的是，两人改变了交流的方式，威廉坐在门的后面倾听另一侧安娜的心声。随着交往的深入，威廉的疑惑却也渐渐加深……

Martial (Daniel Auteuil) is discharged from a mental institution where he spent a few years due to a serious nervous breakdown. During his hospitalization, he ceases to speak with everyone, including his wife Régine (Thérèse Liotard), whom he had encouraged to find a new partner soon after entering the clinic. Upon his return, he finds his mother (Danielle Darrieux), a busy business woman who owns a supermarket chain. She is convinced that her son, who by now hardly talks to anyone after his experience, will be able to find himself again if tasked with some responsibilities. Soon enough, Martial is sent to Limoges on a business trip to check on one of their stores in the hope of reinvigorating its failing business. Once he arrives, Martial is faced with responsibilities he had never imagined, including dealing with the store's personnel. Due to his lack of people skills, this job is a difficult task. Meantime, as instructed by his mother, he checks on the accounting handled by the manager, Mr. Fonfrin (Jean-Pierre Marielle), and he soon realizes that the reason for the branch's close-to-failure status is that Fonfrin is padding the books. Due to his inability to take charge for anything in life, Martial fails to perform his duties and instead befriends the crooked manager, who invites the naive heir to join him and his wife (Dominique Lavanant) for dinner one night. He immediately falls in love with Francine (Sandrine Bonnaire), the maid, an eccentric young woman with whom he has a brief relationship. Martial unconditionally showers Francine with all kinds of gifts, as this is the first time in several years that he feels close to someone; it is a short episode that makes his dejected life momentarily look brighter. He lets his work fall behind for her but, unfortunately, the romance does not last long and, upon his return to Paris, he is deemed incompetent and re-admitted to the hospital.

2001 film by Philippe Lioret

2001 film by Jean-Pierre Améris

A revolutionary militant, a thug, an underground writer, a butler to a millionaire in Manhattan. But also a switchblade-waving poet, a lover of beautiful women, a warmonger, a political agitator, and a novelist who wrote of his greatness. Eduard Limonov’s life story is a journey through Russia, America, and Europe during the second half of the 20th century.

A part of Joan of Arc's life. At the beginning, Jeanne (Joan) has already left Domremy, she is trying to convince a captain to escort her to moxia.cc the Dauphin. It ends during Jeanne's first battle, at Orleans. Meanwhile, Jeanne is depicted more as a warrior than a saint (all cliches are avoided), with only her faith for strength.

Fifteen-year-old Suzanne seeks refuge from a disintegrating family in a series of impulsive, promiscuous affairs. Her fulsome sexuality further ratchets up the suppressed passions of her narcissistic brother, insecure mother and brooding, authoritarian father.

Hélène, a housekeeper at a ritzy hotel in Corsica, is devoted to her family but lacks any passion in her own life. When she sees a handsome couple play a passionate game of chess, she becomes inspired to play herself. Hélène's working-class husband and spoiled daughter are soon bewildered by her obsession with chess. They also grow suspicious of Hélène's close relationship with Dr. Kröger, her eccentric American expat tutor.

After biologist Sylvie discovers her brother Paul trying to steal a gun from her lab, he explains that he wishes to avenge the death of their father whom he suspects died at the hands of his business partner.

In the 1990s, a South American city is rocked by the imminent outbreak of a plague. While many attempt to flee the city, Dr Bernard Rieux sends his sick wife away and does his best to care for the plague's victims. The plague means different things to different people: to the doctor, it's a disease to be cured. To a pair of French journalists, it's a breaking news story. To religious leaders, it's punishment for sins. As the sense of isolation and hopelessness grow, Dr Rieux and his associates begin to question their previously-accepted feelings of justice, loneliness, and love.

Mélanie, 16 years old, lives with her mother. She likes going to school, her friends, playing the cello, and she wants to change the world. But when she meets a boy on the Internet and falls in love with him, her world changes as she is gradually recruited by Daesh. Sonia is 17 years old, and she almost did something irrevocable to “guarantee” her family a place in paradise. These teenage girls might be called Anaïs, Manon or Leila, and one day they all might go some way down the recruitment process. But can they ever come back from it?