50 year old Giulio and his 17 year old goddaughter, Vincenzina, fall madly in love with each other and soon are wed. Unfortunately for Giulio he walks in on his friend and Vincenzina upon a return from a trip. His jealousy and anger get the best of him and he kicks his wife out of the house. Years pass and Giulio decides to rekindle the lover affair with Vincenzina.

Italy 1973. Giuseppe Tritoni (Ugo Tognazzi) is an ultra-right-wing congressman that doesn't agree anymore with his fascist party policy. He contacts many Italian Army officers and built a net of relationship in order to organize a Coup d'Etat (Golpe). Something goes wrong and the Interior Minister (Home Secretary) Mr. Li Masi (Lino Pugliesi) got the all information about the attempted Golpe. So the Minister organizes a counter-Golpe. Tritoni desperately, to save his project, kidnaps the Italian Republic President (Claude Dauphin) that immediately dies for heartache. Now Minister Mr. Li Masi is free to lay down the law to the rest of the country, realizing basically the actual Golpe! Tritoni surrenders and will spend rest of his time trying to sell his ideas about managing Golpe in Africa!

In the 18th century, Figaro the Sevillian barber is likely to be arrested because he operates his shop on Sundays, which is forbidden.

An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.

1959 film by Mario Soldati

阿德里亚纳（弗兰西丝卡·戴乐拉 Francesca Dellera 饰）是一位拥有着非常美丽的外表的16岁的女孩，和母亲过着相依为命的生活。她的母亲从前是一名模特，因此也想让阿德里亚娜走上和自己一样的道路。然而，母亲忘记的是，当今的社会和自己生活的年代早已经不同了，阿德里亚纳需要面对的是一条困难重重而又崎岖万分的道路。 一次偶然中，阿德里亚纳邂逅了名为基诺（Giuseppe Pianviti 饰）的男子。基诺是一名司机，专门给有钱人开车。很快，阿德里亚纳和基诺就坠入了爱河之中。两人的恋情当然遭到了女方母亲的强烈反对，这令阿德里亚纳感到非常的郁闷。来到海边散心的她又遇见了内政部官员阿斯塔里塔（托尼·洛·比安科 Tony Lo Bianco 饰）。

二次世界大战初期，英军和义军在东非伊索比亚交战，两个敌对的军官经过连串战事之后学到了彼此尊重。这是以识英雄重英雄为主题的战争喜剧，编导虽有意对战争加以讽刺，无奈所表现的态度显得优柔寡断，以至其观点虚浮乏无力。不过，两名主角的演出很好，娱乐性不俗

(Includes spoilers) VILLA BORGHESE is a film consisting of six vignettes (cut to five in its U.S. release) that are all set in the Roman park that bears that name. All the episodes take place within one day. The first episode, taking place early in the day, is called "Servant Girls and Soldiers" and is a trifle about a couple of guys trying to put the makes on a couple of young girls. The second piece is called "The Greek Letter Pi" and is a poignant little anecdote about a schoolgirl (Anna Maria Ferrrero) who is urged by her classmates to approach their Greek professor (François Perrier), so that they can photograph them kissing and perhaps blackmail the prof for a passing grade. It turns out the professor has a sad story to tell the girl…that he is going blind. The tearful girl cannot go though with the plan. The third episode is the funniest and probably the best in the film. It's called "Incident at Villa Borghese" and features tour-guide Vittorio De Sica as an incorrigible over-cologned woman-chaser who comes between Giovanna Ralli and her furiously jealous boyfriend Maurizio Arena. The dramatics that ensue among the three…and others…is absolutely hilarious. In one delicious moment, De Sica sits in the car with the boy on one side of him, screaming at the girl, and the girl's breasts on the other side, pressed against De Sica's face as he barely conceals his lust. In "The Marriage Arranger" Eduardo De Filippo is the father of a girl he is trying to marry off. The discussions between the relatives center on rather selfish interest…money, dowry. Then the increasingly ill-at-ease girl is revealed to have a handicap, involving her foot, and the young suitor comes to the emotionally distraught girl's side and, through simple humanity and kindness, saves the day in a way the crude relatives were not capable of doing. Of all the relationships we witness in the film, this is the only one that seems to have a future. "The Lovers" is a bittersweet episode about a man breaking up his affair with a married woman…as the woman's small children play in the park with their nurse and call out to their adulterous mommy. It is nicely acted by two great stars of the French cinema, Micheline Presle and Gérard Philippe. The final racy episode, "Beauty Contest," is a Felliniesque dissertation about two rival Roman street–prostitutes, who as they are about to be rounded up by the police, wind up at a Miss Cinema beauty contest taking place in the park. The younger of the women (Eloisa Cianni) eludes the police by going off with an older man in his car. The other and older one (Franca Valeri) is not so lucky and the episode and the film end as she is driven off in a police vehicle. It is late at night. The movie was released in the United States in 1957, inexplicably, in a French-language version, which didn't match the content, despite the presence of some French performers. It was retitled IT HAPPENED IN THE PARK. Furthermore, the first decent-enough episode was shorn, also inexplicably, because the film was already a short one. The direction by Gianni Franciolini is subtle and finely-tuned throughout, and the ensemble of actors in the production makes, of itself, a worthwhile experience of the movie, which should not remain as forgotten as it is.

In many ways, 'I Nuovi Mostri' is an extension of Dino Risi's film „I Mostri”. However, its episodes were shot in color whereas the original "Monsters" film was shot in black and white. Most episodes of this film are about human nature especially shortcomings of people which reveal a negative facet of their lives. There are also episodes where the spotlight is on revealing the hypocrisy present in modern society due to strange rules and regulations. For example: an episode features an injured man who cannot be admitted to any hospital as there is no more room in a general hospital, no medical service after 23:00 in an hospital run by nuns and only military personnel with proper identification papers can be given treatment in a military hospital. Italian film 'Viva Italia'! is also known as "I Nuovi Mostri". It is the tale of new Italian monsters who represent weaknesses present in an average Italian. These people have been called "monsters" as their personal interests are always on top of their minds. These are the people who do not hesitate a bit in order to ensure their happiness at the cost of their beloved ones. An excellent film for all those cinema admirers who wish to learn more about Italian way of living.

The usual gang of robbers in engaged by a thief from Milan to steal a suitcase full of money, but troubles will menace the success of the operation.

On New Year's Eve, an insecure, struggling actress (Anna Magnani) has nothing to do. When a colleague invites her to a New Year's party, she jumps at the opportunity. Accidentally she runs into an old acting acquaintance (Toto), who is helping a professional pickpocket (Ben Gazzara) steal from people during the hustle-bustle of New Year's Eve festivities. During the course of the evening, they have numerous crazy, humorous adventures all over Rome at different parties, restaurants, and even the Trevi fountain. Magnani's character (Tortorella) falls for Gazzara's character (Lello) without knowing what he's up to, while Toto tries to placate them both. Written by Miriam Kramer

年轻姑娘西尔瓦娜是个交际花，被人杀害。此案由法官保尼法齐负责审理。审讯调查过程中，法官发现大企业家桑多·诺齐诺有重大嫌疑。死者的日记也证实了这种猜测。但是，桑多·诺齐诺是个有势力有影响的大人物，是一块搬不动的大石头，过去也曾在多次逃避法律的制裁。大企业家桑多虽然不是任何政府机关的行政官员，但是他同整个社会的政界、财界和司法界有着千丝万缕的联系，资本主义社会活动中的核心是金钱，也是他权势构筑的基础和...

Expensive vines, tables filled with food, but emptiness inside. Everyone has stopped developing, and fastened in their roles. Hurtful, but still funny story about human development.

Cab drivers in certain parts of the world are 'walking encyclopedias'. These individuals know just about everything and can discuss whatever issue with their passengers. Such man is Pietro, or Pie, as he is fondly addressed by his family. Pie, has a heart of gold. When we first meet him he is driving a person and talking about his fortune of having a wonderful family with whom he is going to celebrate Christmas eve. His passenger has another thing in mind, he is about to rob him! We follow Pie as he goes through his city. There is a hilarious encounter with a Texan couple that feel insulted when Pie thinks they are American stereotypes because the tourist misunderstands what he is trying to tell them. There is a meeting with a would be suicide that asks to be taken to the nearest place to the Tiber, and his attempt at saving her life. As it happens, famous people also take taxis, as it is the case when Pie picks up Giulio Andreotti, Italy's Prime Minister, with whom he has a meaningful conversation. Pie commits the ultimate sin when he is asked to take one of Italy's famous stars to the French embassy. As he only sees her from his mirror, he thinks he is talking to Sylvia Koscina, when in reality she is none other than Silvana Pampanini! His last claim to fame comes when he is asked to drive the great Federico Fellini to Cinecitta. Insisting in sitting up front, Fellini has to endure Pie's admiration. Unknown to the driver, Fellini is going to appear in a film directed by none other than Alberto Sordi, one of the best actors of his generation. Directed by Alberto Sordi, the film is a love statement to Rome. We are taken all over the city taking its most notable sites as Pie drives his clients. The film was probably an excuse for Mr. Sordi to show his friends and his connection to a place that was dear to him. The film is mildly funny, an excuse to spend some time with some familiar faces and Mr. Sordi, the man that gave so much joy to so many. Bravo Alberto!

A group of rogues steal a scroll granting its bearer the property of the land of Aurocastro in Apulia, a province in the south of Italy. They elect a shaggy knight, Brancaleone from Norcia, as their leader, and decide to get possession of this supposedly wealthy land. Many adventures will occurr during the journey.

Teresa Numa in Nardecchia, an orphan of a mother and daughter of a peasant and heartless Lazio peasant, then a war widow and a mother constantly looking for new jobs, she is often forced to steal in order to live.

The film consists of six short stories created by different directors, but all the stories share one thing: a warm irony to current events.