1990 film by Gonzalo Justiniano

A Russian agent is sent to a mission in Chile as a punishment. While there, he continues his adventures in a massage parlor where he meets Paola - a young prostitute he falls in love with.

The film captures the activities of the inhabitants in the countryside, in southern Chile, and the CORA (Corporation for Agrarian Reform). Although the action was filmed in four days and four nights in 1971, the movie was only finished in France in 1973, after the military coup.

Mordant, self-aware, freighted with sensitivity toward Chile’s problem, wary of caricature, disposed toward consciousness of human fallibility, it is a deft blend of fiction and documentary set in the tumultuous days leading up to the election of Salvador Allende in 1970.

After long decades of exile, a leftist former activist returns to Chile to settle accounts with his conscience, related to the death of a colleague and political hero . The task of Atalibar is to reveal his secret. But his view clashes with the current country, godless, far from the old ideologies and where all his old colleagues have changed.

This movie is the best portrait of Chilean society. Ruiz show us like a group of little people with little problems, with a very special way of life. The strangest Spanish in all South American with the funniest accent too. This movie is like Martin Scorsese's Mean Street but without the crime ingredient. You must see it if you wanna know what's to be a Chilean, how you can feel believing that you're in the center of the world but actually living in the end, almost hanging from the continent. Raul Ruiz right now is living in Paris and making the most bizarre but fascinating films of the french production. "Tres tristes tigres" is very difficult to find but if you can, i tell you that you'll have a real gem.

A man's wife commits suicide and appears to him as a ghost. The ghost follows him everywhere – under the bed, under tables… After seeing the ghost so frequently, the man begins to resemble her.

The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.