Dominique Cabrera — Director (4)
The Other Shore (1997) [Movie] WikiData IMDb TMDB
L'Autre côté de la mer
other title: L'Autre côté de la mer / L'Autre Côté de la mer
This film deals with the aftermath of the Algerian war of liberation. Georges Montero, an Algerian-born Frenchman, manages an olive canning factory in Oran. He travels to Paris for a cataract operation. Marinette, his sister, and Belka, his friend and a recent immigrant, want him to return to France permanently. Friction develops between the two friends as Georges is pressured to sell his factory. Friendship developed between Georges and his surgeon, who as a French Arab has severed ties with his culture and country of origin.
Chronicle of an Ordinary Suburb (1992) [Movie] IMDb TMDB Skybridge
Chronique d'une banlieue ordinaire
other title: Chronique d'une banlieue ordinaire
On September 26, 1992, four towers in the Val Fourré neighborhood of Mantes-la-Jolie were destroyed. In the spring of 1991, Dominique Cabrera proposed to some of the former residents to retrace their steps. They go through their old dwellings evoking the memories of the past years. All the life of the housing estate resurfaces, convivial, and to say the least, happy.
La Jetée, the Fifth Shot (2024) [Movie] IMDb Douban
Le cinquième plan de La Jetée
other title: 환송대, 다섯 번째 샷 / Le cinquième plan de La Jetée
Many people probably know Chris Marker’s story of a time trip from a dystopian future back to the present, in which the hero experiences a traumatic event again, only through Terry Gilliam’s extroverted remake “12 Monkeys”. The original, Marker’s experimental science fiction classic “La Jetée”, however, was groundbreaking rather because of its minimalist narrative form: The 28-minute black and white photo novel with a single moving shot has made film history.
Dominique Cabrera now takes a very personal approach to putting the influential work in a historical context: The year of its creation, 1962, was also the year when Algeria gained independence from French colonial rule and hundreds of thousands of French people with roots in Algeria, the so-called Pieds-noirs, left their homeland to enter exile via Orly airport. In France, a new, uncertain existence awaited them – including Cabrera’s family. Six decades later, her cousin, who happened to be present on the pier of Paris-Orly when Marker took photos for his film, is convinced that he recognises himself in the fifth shot of “La Jetée”. This is the prelude to one of the most thrilling and at the same time loving time trips one can imagine – and the beginning of a detective and cinephile research with ever more astonishing twists.