A struggle for power between a pianist and his unruly muse turns murderous.

upcoming film directed by Paweł Pawlikowski

华金·菲尼克斯＆鲁妮·玛拉将主演惊悚片《岛屿》(The Island)，帕维乌·帕夫利科夫斯基(《冷战》《修女艾达》)执导，明年开拍。 根据真实事件改编，讲述1930年代，一对魅力迷人的美国夫妇逃离城市生活，去到一个荒岛上，建立属于自己的私人天堂，靠山吃山，靠水吃水。但当一位百万富翁驾着游艇路过后，这对夫妇成为了小报上的轰动人物，不久一个自称伯爵夫人的女士带着两个情人出现，并计划在岛上建造一座豪华酒店。随着战线的迅速划定，女伯爵和美国夫妇之间的心理战也开始打响，岛屿的闯入者之间发生了性不忠、背叛，最终演变为谋杀。

In this documentary, set in Bosnia during the war, Pawlikowski steers clear of the usual cliches of war reporting. He takes on a more anthropological perspective relying not on commentary but on the power of images: a mass baptism before the final battle, the bizarre antics of the remaining members of the Karadjordje dynasty and the tribal chants of Serbian peasant/soldiers at the front line. The result is more universal enquiry into the nature of the nation state and the ethnocentric view of the world.

Tanya arrives in London with her son Artyom, expecting to be met by her boyfriend. When he doesn't show and immigration wants to send her back to Russia, she asks for political asylum to buy some time. She has no idea that this will consign them for at least a year to a detention center, a fenced "city" near an abandoned seaside amusement park. Once there, realizing her boyfriend will never help her, she just wants to go home, but withdrawing the petition for asylum takes months. She's approached by pornographers inviting her to strip on line for cash; she's befriended by Alfie, a clerk at a convenience store at the center. She's a dreamer; what can she do?

为了能够见到阔别多时的女儿，作家汤姆（伊桑·霍克 Ethan Hawke 饰）千里迢迢来到了巴黎，没想到在这里，他不仅差点被警方逮捕，更是在公交车上丢失了所有的行李。汤姆身无分文，法语又不太灵光，无奈之下，自觉前途渺茫的他在一家餐馆里当上了夜班守门人。 黑白颠倒的生活带给了汤姆诸多的感触，也将两个独特而又充满魅力的女人带到了他的生命之中。安妮雅（乔安娜·库里格 Joanna Kulig 饰）热情奔放，马吉特（克里斯汀·斯科特·托马斯 Kristin Scott Thomas 饰）高雅迷人，但在这两个神秘的女人背后，均隐藏了一段不为人知的秘密。陌生的城市，陌生的语言，随着时间的流逝，汤姆渐渐发觉一切并没有看上去的那么单纯。

In the Yorkshire countryside, working-class tomboy Mona meets the exotic, pampered Tamsin. To seal their friendship, Mona introduces Tamsin to her born-again Christian brother and helps her spy on her adulterous father. Bound together by their secrets, the two girls see their friendship deepen and enter into dangerous waters.

When Pawlikowski visited the Dostoevsky Museum in St Petersburg, he learned that Dostoevsky's only descendant, Dimitri, was still alive. The director found Dimitri in Germany and, after agreeing to pay him a thousand pounds, began filming. After their first meeting, the director thought that Dimitri "had grown a beard to look more like a Dostoevsky and I thought, a great face, great character, he could be a good key to the East/West situation today." Dimitri is invited to Germany by the members of the Dostoevsky Society. He is asked to give a series of lectures about his great grandfather. He knows little about his illustrious ancestor, and his only ambition is to earn enough money to buy a Mercedes. Dimitri feels burdened by his relative's status, because everybody expects him to be a 'prophet', just as Fyodor was considered to be. The film blends real events with fictional elements; the meeting of Dimitri Dostoevsky and Count Tolstoy in London is accompanied by a voiceover explaining that Fyodor and Leo never met, suggesting that Dimitri's story might itself be a fiction. Perhaps, we wonder, the whole film is a trick, and Dimitri nothing more than a conman. Dostoevsky's Travels ruminates on the collapse of the Soviet Union and Russia's transition to capitalism. Dimitri's yearning for material goods is hilarious, remarkable and full of pathos.

2018 film directed by Paweł Pawlikowski

Anna, a young novitiate in 1960s Poland, is on the verge of taking her vows when she discovers a family secret dating back to the years of the German occupation.