谢赫拉扎德（Sheherazade）被许诺给一个强大的苏丹（Sultan ）作为礼物，以换取自由的进入圣地。当苏丹的部下将她从死亡中拯救出来时，她疯狂地爱上了她的英雄。

Leave it to Italian sleazemeister Andreas Bianchi (here co-directing with his brother)to take a brutally violent and borderline misogynist genre like the Italian "polizieschi" and actually up the ante considerably. This movie begins with drug dealers trying to smuggle drugs into Italy sewed up in the body of a dead child(!), and it only gets more gratuitously violent from there. A brutal gang war is going between a traditional Italian mafia family and an Americanized godfather who has been deported back to Italy. Injected into this conflict is another Italian-American gangster, the protagonist (Henry Silva), and he begins to play the two rivals off against each other in the style of "A Fistful of Dollars" or "Yojimbo".
Silva's character might seem like the good guy, or at least the kind of anti-hero Clint Eastwood played in "Fistful" and other Westerns (and later in "Dirty Harry" which was a big influence on the Italian polizieschi). But the Silva character himself is quite psychotic when it comes to women, specifically the masochistic prostitute/mistress of the American gangster (played by Barbara Bouchet). The first time they meet he violently sodomizes her. And when she comes back for more he beats her with a belt. Now I have to admit the description I read somewhere of a naked Bouchet being whipped by a belt did not exactly dissuade me from seeing this, but it's not an accurate one. She is not naked (at least in that scene) and he literally beats her to a bloody pulp. Even her boyfriend, who otherwise is content to throw the promiscuous girl at his erstwhile partner, is horrified by the brutal beating and vows revenge.
This scene squanders any goodwill toward Silva's character (which may have been the intention, I don't know), but also toward the film itself--it's pretty hard to take even for someone like me accustomed to the casual misogyny of the genre. It certainly doesn't help that the actress is Barbara Bouchet, who along with Edwige Fenech and Rosalba Neri, was (and still is) one of the most popular European exploitation actresses of the era (although this probably would have been only marginally more palatable if it had been some anonymous Euro-bimbo). To its credit this movie at least can't be accused of glorifying any of its gangster characters like some other "polizieschi" tended to do. Still it might be a little bit too much for many viewers.

Benedetto is a child who came out of an accident uninjured on his first communion's day. The people of his village attribute that to a miracle and made him undergo a strict religious upbringing. That fact will determine his life, which will be affected by inner torment caused by the confrontation between sexual desires and sacrifices of faith, sin and grace.

当乔·瓦拉奇（查尔斯·布朗森饰）被唐·维托·吉诺维斯（利诺·文图拉饰）当头棒喝时，他必须在狱中采取绝望的措施来保护自己。一次割断他的喉咙的尝试没有成功，这让他不得不打破神圣的沉默准则。

Diversos episodios que giran en torno a casos tanto celebres como anónimos de aventuras extraconyugales.