Comedy about a group of musicians who are sent to play to villagers and workers to raise morale during a 5 year plan. The trouble is they prefer to play jazz and boogie music to the traditional folk songs, and each time they try their jazz they are reprimanded by the local party secretary.

Plotless and wordless, beautifully edited shots of young (often naked or semi-naked) people in various positions, illustrating different emotions, actions and situations, underlined by rock music.

The film shows ethnic minorities living in harmonious coexistence in northern Serbia ― Vojvodina.

Godina was ordered to make a short film glorifying the army, but instead made a film about making love, not war. The censors hacked it up, but he managed to save one complete copy.

Set in Hollywood in 1935, a fictionalized depiction of Fritz Lang's life at this time.

本片是斯洛文尼亚导演及摄影师卡珀-阿西莫维奇-戈迪纳七十年代的一部迷你系列纪录片。戈迪纳开车前往南联盟塞尔维亚北部的伏伊伏丁那（Vojvodina）省拍摄几位民间歌手和他们的家庭，并介绍南斯拉夫丰富的民俗音乐。伏伊伏丁那地区生活着二十多个不同民族的人，他们平时使用近五十种语言，是前南民族群落最多元的聚集地之一，几乎每个村子里人们的语言、习俗和音乐都不一样。

This is a brilliant surrealistic film. But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities. The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art. Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war. And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too. So, the art falls apart