In a movie theater, a man wakes up and looks at the screen. "What's that?", he asks his girlfriend. "A movie", she replies. Is it?

Tells the story of detective Remo Bellini, who gets pulled into a web of death and mysteries that take him to a world of illusions where everything is a self-created fantasy. He's taken by this evil inside that makes him lose a sense of reality with visions, anguish and loneliness - everything takes him down a path of no return. He can't understand what's happening, but the deaths surrounding him are getting closer and closer. It's a race against time before it's too late.

Two seventeen-year-olds go out at night looking for a good time in the streets of São Paulo and end up discovering a lot about them selves and their hidden feelings.

Caio and Mari are two young people living in a relationship that goes beyond any definition. Over ten years, the plot transits between three striking moments where their desires conflict and their relationship is put to the test. The film, originated from the short film of the same name in 2006, proposes a reflection on sexuality, labels and how time constructs and transforms relationships.

Afonso is a university professor and a single father to his son Benedict. One day, they decide to take a trip together, but face problems when their car breaks down. They are helped by four very beautiful telemarketing operators who take them back to São Paulo.

2006. Léo (Cauã Reymond) is a freelance journalist covering events for newspaper outside São Paulo, the city where he lives. He is in serious financial problems worsened due to payment delays. Angela (Luiza Mariani) shares the apartment with Léo and has a 6 year old boy, who is practically raised by their maid, who hardly gets paid. Depressive, she spends most of the day in bed, leaving the house at night in search of fun on decadent clubs. On a given night, Léo decides to spend the little money they have and, by chance, finds Angela, at the mercy of Sybelle (Milhem Cortaz), a transvestite with connections on the underground. She introduces him to Marcin (Caroline Abras), who dresses as a man but has woman grimaces. Soon, they become friends and decide to drink, along with Wilson (João Miguel), a taxi driver who believes to be in need of a psychiatrist. Gradually, an awkward yet strong emotional bond emerges among them, especially increased when they decide to play a highly rewarding, bu dangerous confidence game.

Twenty two years ago, an arid, volcanic and island paradise nestled in the middle of the South Atlantic, a nine year old boy was separated from his sister. The mother, fearful of a forbidden attraction between them, decides to send his son, not daughter, for the continent. The boy was taken by Kaleb, the rider of an old circus, passing by the island. On the mainland, Kaleb instructed the boy in circus arts and spirit, where the former islet became Zolah the Bullet Man. BLUE BLOOD begins when Zolah and the circus back to paradise. The circus is established as an island within an island, and the most solitary of these isles Zolah himself, a beautiful man who seduces everyone and everything, yet remains deeply lonely, because he could not love anyone. BLUE BLOOD is a film about the sea, the circus and the impossibility of love.

A scandal erupts in Brazil during an investigation of alleged government corruption via oil and construction companies. Loosely inspired by true events.