The story of WILD transports viewers to a world where myth intertwines with history – the mysterious, majestic 17th-century Carpathians. At the center of the story is a half-wild, mute warrior – raised by both animals and mountain people. His fate intertwines with the brutal mission of an imperial inquisitor who, under the pretext of recovering stolen papal insignia, unleashes a bloody revenge. Against the backdrop of monumental mountains, a duel between two worlds unfolds – nature and civilization, freedom and fanaticism, instinct and power.

A dynamic and full of punk energy story based on life of one of the most original and interesting contemporary artist, the performer, Oskar Dawicki (playing himself). The main theme of his art is the search for an answer to the question of whether. Oskar Dawicki exists at all. The trade mark of his performances is his blue shining jacket.

Rose, an older woman living in Paris was born in Poland as a daughter of an aristocratic family. Her family house is now an impoverished home for the elderly.

Fashion models are not the usual type of people with whom I can relate, but I found myself strangely moved by the plight of Valerie, as she slowly comes to realise that her previously glamorous lifestyle was not all she thought it was, and the only person who shows her any sympathy is an attendant who works in the underground car park where she spends her lonely nights.
Agata Busek gives a strong, touching performance as Valerie, and Devid Striesow is contrastingly low-key as Andre, the car park attendant. The cold of a German Christmas is well conveyed by the direction and photography.
What may at first glance seem a slow, slight film is in fact well worth watching, and even repays watching more than once.