A successful female executive makes the transition from big business to becoming housewife and mom.

A young drifter and small-town waitress witness a corrupt sheriff murder his own deputy. Framed for the murder and pursued by the sheriff, they run for their life to try and stay alive.

After the success of the live 1957 Cinderella on CBS (with Julie Andrews), the network decided to produce another television version. The new script hewed closer to the traditional tale, although nearly all of the original songs were retained and performed in their original settings. Added to the Rodgers and Hammerstein score was "Loneliness of Evening", which had been composed for South Pacific but not used.

掘火档案：【译者前言】《音乐的意义是什么》是伯恩斯坦主讲的《年轻人的音乐会》系列第一期，我就是从这一集开始认识这个系列并迷上伯恩斯坦的。 从小到大的音乐普及教育，早已让我们大多数人习惯了标题音乐和纯音乐的二元划分，认为有标题的音乐就一定是在讲一个故事，只要理解了这个故事就听懂了音乐，也只有能说出一个故事才算听懂了音乐。而对于无标题的纯音乐，大部分普及类讲座或书籍也会竭尽所能牵扯上作者当时的生活背景，试图说明作品就是作者人生经历和思想状况的投影。 这种解说方式很容易被非音乐专业的大众接受，但离真正音乐的意义差了十万八千里。看过伯恩斯坦《哈佛六讲》的朋友应该理解，音乐本身就是一种语言，是独立于汉语或英语之外的自成一体的语言，因而音乐的意义也不需要借助另一种语言来阐述。伯恩斯坦在《年轻人的音乐会》开篇这期里举的一个例子非常有创意，让人耳目一新。如果你还不知道这是一个什么样的例子，那我还是不剧透为好，保证你看了之后会和我当时一样拍案叫绝。(ricepudding)