Daisy Miller is one of Henry James's most attractive heroines: she represents youth and frivolity. As a tourist in Italy, her American freedom and freshness of spirit come up against the corruption and hypocrisy of European manners. From its first publication, readers on both sides of the Atlantic have quarrelled about her, defending or attacking the liberties that Daisy takes and the conventions that she ignores. All three tales in this collection, Daisy Miller, An International Episode and Lady Barbarina, express James's most notable subject, 'the international theme', the encounters, romantic and cultural, between Americans and Europeans. His heroes and heroines approach each other on unfamiliar ground with new freedoms, yet find themselves unexpectedly hampered by old constraints. In An International Episode, an English lord visiting Newport, Rhode Island, falls in love with an American girl, but their relationship becomes more complicated when she travels to London. In the light-hearted comedy Lady Barbarina, a rich young American seeks an English aristocratic bride. The unusual outcomes of these three tales pose a number of social questions about marriage and the traditional roles of men and women. Is an international marriage symbolic of the highest cultural fusion of values or is it an old style raid and capture? Is marriage to remain the feminine destination?

This complex tale of self-discovery--considered by the author to be his best work--traces the path of an aging idealist, Lambert Strether. Arriving in Paris with the intention of persuading his young charge to abandon an obsession with a French woman and return home, Strether reaches unexpected conclusions. Astute, humorous, and intelligent, this masterpiece from the pinnacle of James' long and brilliant career remains ever vital.

"You know as well as you sit there that you'd put a pistol-ball into your brain if you had written my books!"
Exemplifying Henry James's famous belief that "Art makes life," The Lesson of the Master is a piercing study of the life that art makes. When the tale's protagonist—a gifted young writer—meets and befriends a famous author he has long idolized, he is both repelled by and attracted to the artist's great secret: the emotional costs of a life dedicated to art.

With extraordinary psychological insight and devastating wit, the novella asks the question of whether art is, ultimately, demeaning or ennobling for the artist, while capturing the ambiguities of a life devoted to art, and the choices artists must make. The expatriate James knew these choice well by the time he published the novella in the Universal Review in 1888, and the work reveals him at the height of his powers.
The Art of The Novella Series

Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

In the heart of traditional Boston female abolitionists are demanding an answer to the woman-question; it is the quality and destiny of the cold, humorless Olive Chancellor to liberate the sex whose intolerable load she bears. But for her provincial cousin Basil, the only use for an amiable woman is to make some honest man happy. Between these two divergent philosophies oscillates the beautiful Verena Tarrant.

在线阅读本书
Introduction and Notes by Ian F.A. Bell. Professor of English Literature. University of Keele Washington Square marks the culmination of James's apprentice period as a novelist. With sharply focused attention upon just four principal characters, James provides an acute analysis of middle-class manners and behaviour in the New York of the 1870s, a period of great change in the life of the city. This change is explored through the device of setting the novel's action during the 1840s, similarly a period of considerable turbulence as the United States experienced the onset of rapid commercial and industrial expansion. Through the relationships between Austin Sloper, a celebrated physician, and his sister Lavinia Penniman, his daughter Catherine, and Catherine's suitor, Morris Townsend, James observes the contemporary scene as a site of competing styles and performances where authentic expression cannot be articulated or is subject to suppression.

The Turn of the Screw is the classic ghost story for which Henry James is best remembered. Set in an English country house, it is a chilling tale of the supernatural told by a master of the genre. The Aspern Papers is a tale of Americans in Europe, a theme in which Henry James is at his most assured and accomplished. The author cleverly evokes the drama of the comedie humaine against the majestic setting of a Venetian palace.

In "The Art of Criticism," William Veeder and Susan M. Griffin have brought together for the first time the best of the Master's critical work: the most important of his Prefaces, which R. P. Blackmur has called "the most sustained and I think the most eloquent and original piece of literary criticism in existence"; his studies of Hawthorne, George Eliot, Balzac, Zola, de Maupassant, Turgenev, Sante-Beuve, and Arnold; and his essays on the function of criticism and the future of the novel.
The editors have provided what James himself emphasized in his literary criticism--the text's context. Each selection is framed by an editorial commentary and notes which give its biographical, bibliographical, and critical background and cite other references in James' work to the topic discussed. This framework, along with the editors' introduction, gives the reader a sense of the place of these pieces in the history of criticism.

The text reprinted in this volume is based on an examination of the five printed versions of The American (first published in 1877) which appeared in James's lifetime, and it is preceded by his "Preface to the New York Edition" (1907). The textual history of the novel is traced in A Note on the Text; a list of substantive variants and emendations; a facsimile manuscript page showing James's method of revision; and a list of the installments of the novel as they appeared in The Atlantic .

"Backgrounds and Sources" includes relevant extracts from correspondence, reviews, and articles by James and others, and from his Notebooks and Hawthorne.

"Contemporary Reception" of the novel is illustrated by twenty-one American and English reviews.

"Twentieth-Century Criticism" is represented in essays by Leon Edel, Oscar Cargill, Irving Howe, Richard Poirier, Royal A. Gettmann, and James W. Tuttleton.

A Selected Bibliography is included for further study. .

This collection of prefaces, originally written for the 1909 multivolume "New York" Edition of Henry James' fiction, first appeared in book form in 1934 with an introduction by poet and critic R. P. Blackmur. In his prefaces, James tackles the great problems of fiction writing - character, plot, point of view, inspiration - and explains how he came to write novels such as "The Portrait of a Lady" and "The American". As Blackmur puts it, "criticism has never been more ambitious, nor more useful." The latest edition of this influential work includes a foreword by best-selling author Colm Toibin, whose critically acclaimed novel "The Master" is told from the point of view of Henry James. As a guide not only to James' inspiration and execution but also to his frustrations and triumphs, this volume will be valuable both to students of James' fiction and to aspiring writers.

Spirited, beautiful young American Isabel Archer journeys to Europe to, in modern terms, "find herself." But what she finds there may prove to be her undoing, especially when an infinitely sophisticated lady plots against her.

The inspiration of James's Washington Square (1881) was an anecdote told him by Fanny Kemble about a jilted heiress. The only child of a rich New York physician, shy, unattractive Catherine Sloper falls an easy victim to the attentions of a good-looking fortune-hunter. The clever domineering father whom she adores attempts to blight Catherine's feelings for her suitor, only to succeed in blighting her affection for him. Meanwhile, her meddling aunt, intent on stirring the fires of romance, threatens to turn Catherine's tragic experience into farce.

A new edition of the innovative, emotionally complex novel.
After her parents' bitter divorce, young Maisie Farange finds herself shuttled between her selfish mother and vain father, who value her only as a means for provoking each other. Maisie-solitary, observant, and wise beyond her years-is drawn into an increasingly entangled adult world of intrigue and sexual betrayal until she is finally compelled to choose her own future. Published in 1897 as Henry James was experimenting with narrative technique and fascinated by the idea of the child's-eye view, What Maisie Knew is a subtle yet devastating portrayal of an innocent adrift in a corrupt society.

In this tale of suspected supernatural possession, a governess at a country house believes that the two children in her care are being controlled by spirits. Is the governess simply paranoid, or is something else going on?

This is the "Penguin English Library Edition" of "Daisy Miller and The Turn of the Screw" by Henry James. "I'm a fearful, frightful flirt! Did you ever hear of a nice girl that was not?" This edition contains two of Henry James' most popular short works. Travelling in Europe with her family, Daisy Miller, an exquisitely beautiful young American woman, presents her fellow-countryman Winterbourne with a dilemma he cannot resolve. Is she deliberately flouting social convention in the outspoken way she talks and acts, or is she simply ignorant of those conventions? In "Daisy Miller" Henry James created his first great portrait of the enigmatic and dangerously independent American woman, a figure who would come to dominate his later masterpieces. Oscar Wilde called James' chilling "The Turn of the Screw" 'a most wonderful, lurid poisonous little tale'. It tells of a young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a sense of intense evil within the houses, she soon becomes obsessed with the belief that malevolent forces are stalking the children in her care. "The Penguin English Library" - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

'Did she know and if she knew would she speak?' The story of an unsolved literary mystery that explores what James referred to as "troubled artistic consciousness."
Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Henry James (1843-1916). James' works available in Penguin Classics are The Portrait of a Lady, The Europeans, What Maisie Knew, The Awkward Age, The Figure in the Carpet and Other Stories, The Turn of The Screw, The Aspern Papers and Other Tales, The Wings of The Dove, Washington Square, The Tragic Muse, Daisy Miller, The Ambassadors, The Golden Bowl, Selected Tales, Roderick Hudson, The Princess Casamassima and The American.

'The charm of certain vacant grassy spaces, in Italy, overfrowned by masses of brickwork that are honeycombed by the suns of centuries, is something that I hereby renounce once for all the attempt to express; but you may be sure that whenever I mention such a spot enchantment lurks in it.' - Henry James In these essays on travels in Italy written from 1872 to 1909, Henry James explores art and religion, political shifts and cultural revolutions, and the nature of travel itself. James's enthusiastic appreciation of the unparalleled aesthetic allure of Venice, the vitality of Rome, and the noisy, sensuous appeal of Naples is everywhere marked by pervasive regret for the disappearance of the past and by ambivalence concerning the transformation of nineteenth-century Europe. John Auchard's lively introduction and extensive notes illuminate the surprising differences between the historical, political, and artistic Italy of James's travels and the metaphoric Italy that became the setting of some of his best-known works of fiction. This edition includes an appendix of James's book reviews on Italian travel-writing.