In this drama, a still-young grandmother has a suitor whose son is suffering from an incurable illness. The woman knows that the son has fallen in love with her granddaughter, but the granddaughter does not reciprocate his feelings. Convinced she should do something about that situation, grandmother talks her granddaughter into going on a trip to Paris with the young man -- intent on bringing the two together. But this simple plan, it turns out, has unforeseen consequences

1976 film by Leopoldo Torre Nilsson

1967 film by Leopoldo Torre Nilsson

An Argentine who emigrated to the United States finds himself by chance in Argentina for business. There he hires a woman, Paula, who is from a traditional but poor family, and he finds himself falling in love with her.

1968 film by Leopoldo Torre Nilsson

The life story of Argentine independence hero Jose de San Martin.

A group of young aristocrats lock themselves up, for fun, on a terrace in a wealthy building in Buenos Aires. Their parents try to get them out, but they threaten to jump down if any adults enter the terrace.

This haunting drama concerns a young woman on vacation from boarding school who discovers her aunt cloistered in the attic.

The daughter of an American marriage in Puerto Rico forces her parents to find a doll that her father mistakenly sent in a box of aid during a flood.

A young teen has been raised by a despotic mother overcome with religious zeal and a father who rules over the household with a heavy, iron hand. Forcibly kept innocent of the sexual nuances of some adult relationships, she is not too clear on her rights, his intentions, or the consequences when her father's best friend starts to lust after her.

阿根廷新电影的奠基人莱奥帕多·托雷·尼尔逊（Leopoldo Torre Nilsson）七十年代的杰作，改编自小说家罗伯特·阿尔特（Roberto Arlt）的小说《七个疯子》，讲述男主角艾尔多萨因从底层挣扎的生活，逐渐走向崩溃的过程。 阿尔特是二十世纪阿根廷最伟大的左翼现实主义作家和戏剧家，他出生于欧洲移民家庭，从小在布宜诺斯艾利斯的贫民窟中生活，熟悉下层民众的种种苦难和不幸，后来依靠自学成才，在创作上阿尔特深受俄国的陀思妥耶夫斯基和契诃夫等人的影响，作品中的人物大多为游荡于社会底层的歹徒，疯子，妓女和强盗，借这些人物来倾吐他对社会政治的不满与抗议，1929年的《七个疯子》是他最著名的一本小说，在拉美文学史上占有很经典的位置。托雷·尼尔逊的这部同名电影获得过73年柏林电影节最佳影片银熊奖和最佳导演提名。

托雷.尼尔松后期的电影代表作, 一部如同伯格曼影片一般解剖复杂深奥而又真实的女性心理剧, 而摄影和画面上则与伯格曼的北欧风格完全不同, 是阿根廷风格的, 当然, 还有优美的----探戈.