Juris Strenga — Actor (4)

Movie

Virgins of Riga (1996)
Jomfruene i Riga WikiData IMDb TMDB
other title: Jomfruene i Riga
An easy-going, Blue-eyed Norwegian businessman seeking fame and fortune in the post-cold-war Riga. His involvment with a beautiful young Latvian girl, get's him tangled into obscure business with the mafia, the Russian fleet and the 'Sons of Norway'

Movie

Not Yet a Time for Sorrow (1995)
Время печали еще не пришло WikiData IMDb TMDB
other title: 痛苦的時代還沒有到來 / Время печали еще не пришло …
Mefody, a wise master, comes to a weird village one day to teach local men wisdom and life. The strange thing about the village is all the men living there are of different nationalities: German, Jewish, Ukrainian, Russian, Uzbek, Gypsy etc.. Mefodi teaches all them the way to understand each other, he speaks about music, cabala, fairy tales, sex etc. Finally all of them become even more friendly to each other and find success in life.

Movie

Svesais (1988)
Svešais IMDb Douban
Луция Лочмеле actor: Česlavs Glaudāns / Marta Bērziņa …
other title: Svešais / The Stranger …
Filmed in the waning days of the Soviet Union, "Svešais" (Stranger) is part road film, part mystical exploration and part social commentary. Filled with apocalyptic imagery, desperation and aimless nihilism L. Ločmele's film takes us into a nightmarish world of alcoholism as seen through the eyes of a child who is losing his father to the bottle. Having run out of options and tired of being embarrassed by his father, young Zigis (Č. Glaudāns) attempts to travel from Cēsis, by whatever means available, to meet Zilākalna Marta (Martha of the Blue Hill), a real life faith healer played by Marta herself, in the hopes of finding a cure for his father. On the road to and back from Zilaiskalns Zigis runs into a cross section of characters representative of the stagnation that ultimately led to the collapse of the Soviet Union. From well-meaning, if ineffective social workers and policemen, to nihilistic kids who steal simply for the sake of the thrill. The film has a documentary feel to it, but at times comes across too strong. There are only so many times you can look at images of alcoholics destitute on the streets before you become inure to the image. While flawed in many small ways, mostly because of trying to hit the audience over the head with its message, it still manages to capture a small corner of the zeitgeist of the end of the Soviet era.