Born at the turn of the century in a village's butcher shop, Jeanne Lavaur dreams of becoming a countess. Inspired by the fearless Céleste and guided by her love for Guillaume de Barante, Jeanne’s journey carries her from the vibrant Paris of the Golden Twenties through the turmoil of two world wars. As her life intertwines with the great upheavals of the 20th century, she rises as a fiercely free woman, determined to never let anyone else define who she is meant to be.

As if in a dream, a young girl recounts the story of Orpheus and Eurydice and the questions raised by the myth. Heartsick from suffering, Orpheus descends into the Underworld to bring his beloved Eurydice who has just died from a snake bite back. The magnificent music played by Orpheus convinces Hades, the god of the Underworld, to free Eurydice, but on one condition : on his way back to Earth, Orpheus must not look back at Eurydice. On finally arriving at the gates of the Underworld, already catching glimpses of trees and bushes, Orpheus looks back. Eurydice disappears forever into darkness.

Three athletes as they train for and later compete in judo, fencing, and shooting at the fictional Ludoj 2024 Games.

Three athletes as they train for and later compete in judo, fencing, and shooting at the fictional Ludoj 2024 Games.

1938 年。年轻的吉尼亚刚从乡下搬到都灵。为了寻求冒险，她发现了令人眼花缭乱的艺术家世界，并与一位画家开始了一段恋情。带她进入波西米亚街区的模特阿米莉亚性感、自由，与她见过的任何人都不同。在“美丽的夏天”，吉尼亚屈服于她的初恋，庆祝做真正的自己的勇气。

21岁的妮卡从大学农学专业退学后，回到阔别三年的家乡——意大利南部的阿普利亚。她发现父亲负债累累，土地满目疮痍，橄榄树几乎被寄生虫摧毁。在这场巨大的生态灾难面前，每个人似乎都已放弃，而她父亲更是执迷于连根拔起橄榄林，从而获得赔偿金借以度日。妮卡竭尽全力去拯救这些古老的树，但人们的思想似乎也被污染了，她将不得不面对意想不到的障碍……

冬季的一天，Nena将家人聚集在海边的房子庆祝她的生日。每个人都出现在这里：Nena的丈夫Umberto、孩子Vito和Caterina、表亲Isabella、继女Adelina、前任儿子Manfredi和新未婚妻Joian、侄女Alma、管家Lucia和女儿Grazia。然后就是Alma的孔雀Paco，Paco惊奇地爱上了挂在客厅里的一幅画中的鸽子。

After growing up in Switzerland, 13-year-old Marta returns to a city in southern Italy with her mother and older sister. Independent and inquisitive, she joins a catechism class at a local church. However, the games and religious pop songs she encounters there do not nearly satisfy her interest in faith. Struggling to find her place, Marta pushes the boundaries of the class, the priest, and the church.