After years of detachment Alberto Valli returns to the home of Margherita, his widowed mother, with his mistress Germaine.

1950 film by Giorgio Bianchi

A youth and an elderly libertine aristocrat vie for the favors of a beautiful woman, amid the setting of Rapallo.

1954 film by Giorgio Pàstina

In the last days of the world war II a young Alpine soldier trys to find his way back home after the army was disbanded. In his village the soldiers, with the townspeople, become engaged in an effort to prevent the Germans from blowing up a dam.

1958 film by Camillo Mastrocinque

Liana, an architecture graduate, is about to get married until she is confronted with the fact she is sacrificing the rest of her life for a man she barely knows. So begins a series of romantic encounters in which Liana tries to find her freedom and happiness, but which will ultimately lead her to a tragic fate.

Alberto Moretti arrives in Cortina D'Ampezzo, with daughter Marcella,who has just won a TV contest, the prize of which is a free stay in a luxury hotel.

In the 9th Century, two Viking children, separated since their early childhood with one raised by the British and the other by Vikings, meet after nearly 20 years as rivals as war breaks out between Britian and the Vikings for control of England.

Anthology of tragic love. A noblewoman falls for a commoner. A doctor keeps quiet about his patients' infidelities. Expectant father is sent to fight in WWI. A 1920s fascist enjoys Rome's nightlife. WWII airman falls for a girl in Naples.

Carlo Rutelli falls in love with the beautiful variety singer Yvonne la Nuit, but his father opposes the wedding. World War I breaks out and Carlo is killed while Yvonne has a son, but on orders from Carlo's father, she is told he is dead. Her career descends and only Nino, an art partner, remains close to her and helps her earn her living by singing in taverns.

Carlo Rutelli falls in love with the beautiful variety singer Yvonne la Nuit, but his father opposes the wedding. World War I breaks out and Carlo is killed while Yvonne has a son, but on orders from Carlo's father, she is told he is dead. Her career descends and only Nino, an art partner, remains close to her and helps her earn her living by singing in taverns.

Progressive schoolteachers Landi and Anna have a profound influence on two of their young students, Mirella and Franco. The two kids are enamored with one another and decide to experiment with some of the knowledge they've gleaned in the classroom.

1946 film by Aldo Buzzi, Alberto Lattuada

Two trains collide: who said that rail was a safe mode of transport? A young Pole girl becomes an orphan and a semi-whore, and Mara (Silvanna Pampanini) would like to adopt her. Alas she lives a life of sin and she and the nuns who take care of the girlie are worlds apart. So she decides she would start over, leaving her pimp (Franco Fabrizi) behind and trying to get a job, which is no easy task. No sooner has she found work in a factory than her former lover (who gave her a child who died when she was young: hence her longing to have another one) turns up. He is played by Marcello Mastroianni who was supporting at the time. Of course he thinks that the new child is his own and as his wife cannot conceive... This "slave to sin" (check the title) suffers, suffers and suffers; every time she seems to work it out, every time something happens. The movie is a long flashback told by an old woman who stole a medallion in the hotel where she works as a linen maid.

A woman and her lover murder her husband, a doctor. Soon, however, strange things start happening, and they wonder if they really killed him, or if he is coming back from the dead to haunt them.

An electronic engineer is called by the Hungarian Television Directorate to test the new television installations. He arrives in the capital, Budapest, together with his girlfriend.

The newly appointed head of a censorship board uses his uncompromising stance against everything "immoral" – from nudity in movies to nightclubs – to hide a rather unseemly double life.

The time is the Russian Revolution. The place is a country burdened with fear - the midnight knock at the door, the bread hidden against famine, the haunted eyes of the fleeing, the grublike fat of the appeasers and oppressors. In a bitter struggle of the individual against the collective, three people stand forth with the mark of the unconquered in their bearing: Kira, who wants to be a builder, and the two men who love her - Leo, an aristocrat, and Andrei, a Communist. In their tensely dramatic story, Ayn Rand shows what the theories of Communism mean in practice. We the Living is not a story of politics but of the men and women who have to struggle for existence behind the Red banners and slogans. It is a picture of what dictatorship - of any kind - does to human beings, what kind of men are able to survive, and which of them remain as the ultimate winners. What happens to the defiant ones? What happens to those who succumb? Who are the winners in this conflict? Against a vivid panorama of political revolution and personal revolt, Ayn Rand offers an answer that challenges the modern conscience. Written by The Publisher of "We the Living"