Jesper is a soldier in the German army. Although his brother was killed whilst serving in Afghanistan, he nevertheless reports for a new tour of duty in this war zone. He and his unit are to protect a remote village from the Taliban. One of the people accompanying Jesper is a young interpreter, Tarik, whose job includes mediating between soldiers and villagers. Both sides have a hard time trying to overcome the differences in their respective ways of life. Jesper must gain the trust of both villagers and the allied Arbaki militia and his nerves are soon on edge. He finds himself increasingly morally conflicted as a result of his superiors' orders. His association with the Germans means Tarik's life is constantly under threat, but when Tarik begins to fear for his sister's safety, Jesper has to make a decision. Feo Aladag uses this portrait of an ISAF soldier in Afghanistan to explore questions of affinity and otherness, trust and failure. How humane can your actions be if you are bound by the workings of a strict military bureaucracy? What remains of the ideals of human dignity when you are caught up in a daily struggle for survival?

The child-duo Rico and Oskar, one of them is quite more sluggish, but precisely because of fantasy and own world view; the other one is a smart whiz, but scared for life.

2019 film directed by Karoline Herfurth

范恩（斯婷·费舍尔·克里斯滕森 Stine Fischer Christensen 饰）怎么都想不到，自己竟然会成为大导演弗里德曼（乌尔里希·诺登 Ulrich Noethen 饰）眼中的缪斯，弗里德曼将她钦点为下一部戏的最佳女主角，并且在她的身上赋予了极大的热情。 在戏中，范恩扮演了一个个性热情奔放的性情女子，可是生活中的范恩性格却正与此相反。为了达到更好的演出效果，弗里德曼开始用各种各样过激的手段刺激范恩的精神，迫使她打开心扉。这样的刺激很快就显现出了效果，改变后的范恩也因此找到了自己的如意郎君。但对于范恩的母亲来说，性情宛如陌生人一般的女儿带给她的只有痛苦和伤悲。面对自己逐渐失控的精神领域，范恩无能为力。

2014 film

Stalinstadt, East Germany, 1956. While the Hungarian uprising against Soviets is taking place, teenage members of a classroom of the local school perform a seemingly harmless act that causes unexpected consequences.

2012 film by Christian Petzold