1961 film by Géza von Cziffra

1956 film directed by Max Nosseck

1951 film by Georg Jacoby

A young woman moves to Berlin to work as a press photographer.

Clemens and Bobi, two legation secretaries, are sent on a delicate mission by their minister: it concerns a red portfolio with secret papers, which the minister stuck under a bed mattress and forgot about when he met someone on a rendezvous. And to make things more difficult, the horny minister can't remember which room he left it in. After several incidents in different hotel rooms, neither secretary has found a thing. There's not a trace of the portfolio; but Clemens is more interested in Annette, the young lady in one of the hotel beds, than in the portfolio. He forgets his mission and can think only of her. Boni, in the meantime, has found his way into a room, where Olivia is staying and sees a red, leather folder there. But the woman throws him out in short order.

1946 film by Géza von Bolváry

Before he became cult director Douglas Sirk, Detlef Sierck cut his teeth on such lavish European star vehicles as Das Hofkonzert (The Court Concert). Marta Eggerth is cast as Christine, a young singer who aspires to find out who her father was. Her odyssey brings her to the court of a mythical kingdom, where she is romanced by handsome lieutenant Walter (Johannes Heesters). He is warned not to lose his heart to a "commoner," but all turns out all right when King Serenissimus (Otto Tressler) turns out to be Christine's long-lost daddy. Hofkonzert was designed as a comeback for Marta Eggerth, whose star had eclipsed by the mid-1930s.

Head waiter Leopold has been secretly in love with the hostess Josepha for a long time, but she only has eyes for Dr. Siedler, a guest in the White Horse Inn. Leopold tries to get Dr. Siedler interested in the daughter of Industrialist Giesecke, who would rather see his daughter married to Sigismund.

1937 film by Georg Jacoby

To take a revenge on countess Laura, who slapped him at his proposal, the Governor of the occupied Poland gets her fall in love with a poor student, and exposes him during wedding banquet.

In the 1880s, Georges Duroy, back from the Colonies, arrives in Paris with the firm intention of conquering the capital through his power of seduction, his selfishness and cynicism. Entering into journalism through the back door he will soon rise to the top with the support of several women: Madeleine Forestier, the wife of his journalist friend Charles; Clothilde de Marelle, his first mistress; Virginie Walter, the wife of a newspaper owner; Suzanne Walter, her daughter who eventually marries Duroy.