Honorio Sigüenza is a man in his forties who has always lived under the yoke of his possessive mother. When his mother dies, he undergoes a radical transformation that will lead him to live numerous love affairs in the face of the disapproval of his cousin Veni, who wanted to marry him.

1976 film

1976 film by Pedro Lazaga

1966 film directed by Pedro Lazaga

María, Pilar, Patricia y Virginia trabajan en el bingo y, mientras venden cartones, llenan la sala de alegría, de sonrisas y de ilusión. Pero no todo es juego en su vida, también tienen problemas. Las chicas se encuentran en su trabajo con toda clase de problemas y situaciones, unas dramáticas, otras cómicas: el acoso de los hombres, las manías de los jugadores... pero al final triunfa el amor, la alegría de vivir y el optimismo. (FILMAFFINITY)

1976 Spanish film

1987 Spanish film

Divided into three grotesque stories of absurd humor that, as the title suggests, are based on life, love and death.

Miguel is a young Spanish naval engineer in love with an American student of History of Art. When she becomes pregnant, she decides that the easiest solution to her situation is to marry her civilly. However, in Spain in the 1970s, prior to the passage of the Divorce Law, the only way to do so is to apostatize the Catholic Church. For Miguel, a believing devotee, taking this step involves a deep inner conflict.

Merli, teamed with Mexican star Hugo Stiglitz as his photographer buddy, plays a journalist investigating the shady activities of the local Mafia. Eventually the shit hits the fan, and Merli is cornered and beaten for sticking his nose to close to the action. After his girlfriend is raped, Merli dishes out some vigilante justice and punches, shoots, and bitch slaps his way through the Mafia ranks.

1977 Spanish film

Daniel no está contento con su suerte. Trabaja en un taller y su empleo no le ofrece perspectivas de progreso. Influido por la corriente actual de trabajadores que se marchan a Alemania, decide emigrar también.

The film tells the story of two writers in love with the same woman. For years, they have worked together. One day they separate. Ten years later and Ditirambo meets up with Rocabruno, at the very least to tell him his latest story. An epilogue that closes what they together have opened.

José María "El Tempranillo" fleeing from justice, takes refuge in Sierra Morena. After a period of hard learning, he becomes the leader of a group of bandits.

The brain of a male engineer is transplanted into a female’s body. He soon finds it very frustrating to cope with the daily sexist discrimination most women deal with. For example, he is surprised when no one will hire a female engineer. When he is faced with dealing with female sexuality, he quickly begins exhibiting lesbian tendencies.

A few days ago, Lucia (Assumpta Serna) receives anonymous letters in which he is forced to perform certain actions that she accepts without question. Her current boyfriend, Arthur (Xabier Elorriaga), suspects the mysterious sender can be Lucia's former lover, whose strange death never reached clarified. Now it's time it's Arthur who put the cards on the table to get to the bottom of it.

1975 film by Vicente Escrivá

1984 film directed by Mariano Ozores

1973 film by Pedro Lazaga

Even amongst exploitation junkies "Ricco, the Mean Machine" doesn't get a lot of attention and that's a shame because it's a very sadistic, effective and all around excellent Italian Crime movie with lots of nudity. Ricco (Christopher Mitchum) is out to get his revenge on the crime lord that killed his father with the help of the very sexy Rosa (Melisa Longo). He takes each of Vito's (Arthur Kennedy) men down one by one, bringing him closer and closer to his prize.
What sets "Ricco" apart from so many other films of its ilk is just how violent it is. Director Tulio Demicheli refuses to hold back or play nice as the violence just keeps coming down. This establishes a very bleak and nihilist tone that fit this revenge movie like a glove. "Ricco" even features acid baths! In addition the characters are well drawn out. Ricco and Rosa remain likable even as they lay more and more sadistic punishments out on the syndicate. The script is pretty well laid out as well and he acting is pretty solid. In addition his movie also features plenty of tasty nudity courtesy of both Melisa Longo AND Barbara Bouchet. How can you beat that?