The filmmaker interviews still surviving residents of Las Hurdes, where Buñuel shot a controversial documentary almost 70 years ago, and compares the area as shown in that work to the way it seems now.

作为一名足球运动员，约翰·克鲁伊夫的国际影响力始终鲜明地活跃于在巴塞罗那的人心中——这座至今都存在着数字“14”和他经历过无数次比赛的城市。从克鲁伊夫这个人们心中无法复制的偶像elmomentodado（以前西班牙语中没有的荷兰习语的书面翻译）说起，十三个人从巴塞罗那赶来，向导演雷蒙·戈尔林（《布努埃尔的囚徒》）诉说关于克鲁伊夫带给他们的无数时刻。那些他带给这些人惊喜的特殊时刻，或让他们愤怒不已，或让他们对激情异常狂热。这部影片探索了加泰罗尼亚人的身份问题，他们几十年来的独立历程，以及克鲁伊夫在其中扮演的重要角色——通过创造奇迹，他近乎成了加泰罗尼亚人的圣徒。最终，克鲁伊夫走向了人生的巅峰……

Dutch composer Simeon ten Holt achieved worldwide renown in 1979, when his work for four pianos Canto Ostinato was first performed. Although some music experts viewed it with disdain - it broke with prevailing notions of serialism and tonality - the piece was a huge hit in the contemporary classical music world. In the years since, numerous musicians have released their recordings of Canto, and it is still being performed around the world. Director Ramon Gieling interviewed a large number of people about the sometimes far-reaching impact this composition has had on their lives. One interviewee tells of how Canto was the soundtrack to the birth of her son; another has a section of the score tattooed on his arm. Gieling seeks to unravel the mystery of the universal power of music, and his blend of documentary footage, fiction, essays and archive material produces a multifaceted response to the question of just what it is about this piece that touches people so deeply.