After producing a successful underground snuff movie, were the lead actress is raped and killed, the Brazilian Miguel returns to São Paulo pretending to be the American director Michael Tracey and convinces his partner Bob Channing to cast and hire a crew to produce another movie. With attractive salaries, they hire the broken cinema technician Edson Lima and his assistant Juarez. Together, they cast the stripper and hooker Lia de Souza; the decadent and former famous actress Taty Ibanez; the aspirant actress Glória Verdi; the candidate of Miss Contest, the Miss São Paulo Maria Rosa; and an actor interned in a mental institution, Sérgio Bandeira. The group believes that they are going to secretly shoot porn, and moves to the small town of Limeira. When Bob falls in love for Lia, he tries to convince Michael to forget the snuff and avoid her death. But Michael is reluctant and does not want to give up his project. Written by Claudio Carvalho, Rio de Janeiro, Brazil

1984 film by Paulo Thiago

Financial problems in a religious school for girls force the government to interfere. While waiting in the conference hall to communicate the fact to the school administrators, the intervenor falls asleep and a crazy dream begins, involving teachers, students and strange characters.

When a pedestrian is hit by a bus, the simple clerk Arandir runs and kisses the moribund in a gesture of sympathy and unconditional pure love. Opportunist photographer Amado Pinheiro witnesses the scene and sees the opportunity to sell newspaper and, together with the despicable and abusive chief of police Cunha, accuses Arandir of homosexuality.

Tereza tries to leave her past and forge her own destiny and happiness by going through several affairs.

Living with his parents, 17-year-old Juan hangs out with several intellectuals who would like to photograph the human soul. The girlfriend of the group's financier is Ana, and Juan is attracted to her, despite the knowledge that she spent two years at a clinic because she was "crazy." Juan sees Ana when he can and trains as a door-to-door salesman, but when the German photographer on the soul project gives him a viewfinder, it changes his life, putting him on the path to his later success as a Hollywood director.

以意大利作家皮蓝德娄(Luigi Pirandello)著作"A Voice"改编 描述一名商人不慎弄伤眼睛 一个每天看他在公园慢跑而暗恋他的女孩假扮护士去照顾他 女孩却在他进行恢复视力的手术中不告而别 只留下一张看不到女孩真面目的照片

“我已经经历了我的死亡，现在剩下的就是拍一部关于它的纪录片。”当海科特·巴班克意识到自己所剩时间不多时，他这样对芭芭拉·帕斯说。她接受了挑战，完成了已故伴侣的最后一个愿望：成为自己死亡的主角。这部作品温柔地潜入巴班克，这个南美洲最伟大的电影人之一的生活中，他在亲密与病痛的交织下有意识地袒露了自己的灵魂。在活跃的思想与虚弱的身体之间的对峙中，他表达了恐惧与焦虑，也表达了回忆、反思和奇想，种种有关他职业生涯中的标志性瞬间。从38岁患癌到70岁去世，巴班克把影像当成了他的良药，也是支撑他生存的营养剂。《巴班克：当我死时告诉我》是芭芭拉·帕斯的第一部纪录长片，在某种程度上，也是海科特的最后一部作品：一部有关影像的影像，是永恒不灭的。