Humberto Brause takes advantage of Uruguay’s poor economy by specializing in offshore money laundering. Spanning the fifties to the seventies, the film follows Humberto as he gets increasingly in over his head with multiple shady book-cooking schemes throughout South America, leading to an ultimate life-or-death decision.

Pedro receives a desperate message from an ex-girlfriend asking him to look after her senile mother, Alicia. What seems like a simple mission soon becomes his worst nightmare. Pedro needs to escape; but Alicia won’t let him...

The film tells the story of Martha Hoffman, an eccentric and wealthy patron who is committed to a psychiatric clinic by her daughters. The expert witness Casares investigates whether this is a scheme to control their mother’s fortune or if Martha truly suffers from a form of dementia that endangers her well-being and that of her family.

Taking the title of the most emblematic song by Joe Arroyo, one of the ground-breaking forces of Caribbean music, “Rebellion” transports us to a period, a place and a state of mind. Arroyo, the leader of the 1970s salsa explosion, finally receives the movie he deserves. It’s a trip to the darkest side of creation, the possessiveness of music compared to other loves, reaching the deep bottom a genius has to touch to emerge with gems to be cherished by everyone. Arroyo blended together salsa, cumbia, konpa, zouk and other styles from the African diaspora in a fusion of inimitable sound which the movie dares to reflect in images. Timeless songs (be sure not to miss referential tracks such as “Manyoma”, “La noche”) burst forth from his devotion to music, febrile moments of creativity and illumination but also nights of loneliness, madness, crossed feelings, passion, emotions and chaos. “Rebelion” arises as a timeless journey to the roots of creation, presenting Joe Arroyo as a true rebel. How to depict one of the best performers ever? Don't expect a classic musical. Jorge Rugeles (“Alias Maria”, Cannes 2015), well-experienced in many fields, shows that Colombian cinema has its own deep personality, beyond the standards of its northern neighbour, delivering a really special “El Joe” singer biopic that will allow us to know not just his music, but quite a lot more – the legend. 源自：

Five shorts spanning a century on lives impacted by the Panama Canal

Sosa 是布宜诺斯艾利斯的一个Carancho，即交通事故专业律师。他肆无忌惮地在无数交通事故受害者身上赚钱，这些受害者是少数黑心律师的财源。某天夜里，Sosa在寻找潜在客户的途中邂逅了年轻的急救医生Luján。Luján为了坚持加班，只能定期吸毒。他们的爱情故事便在黑夜的路上开始。她希望救死扶伤，他却希望将垂死之人变成自己的客户。

Julia, a 25 year-old university student, two weeks pregnant, with no criminal record, is sent to prison. Julia murdered the father of her child. This story addresses maternity, jail and Justice; confinement, guilt and solitude; but above all it deals with Julia and her son, Tomas, born inside an Argentinean prison.

While working alongside his long-time friend and colleague in building a hospital for the residents of a Buenos Aries shantytown, a troubled priest finds solace in a young, atheist social worker