Anderson .Paak — 艺术家 (21)
丝绸索尼克之夜 [音乐] 豆瓣
发布日期 2021年11月12日
出版发行:
Aftermath Entertainment / Atlantic Recording Corporation
Bruno Mars and Anderson .Paak were already hard at work on what would become An Evening With Silk Sonic when the pandemic shut down live music in early 2020, but they weren’t going to let that stop them from delivering a concert experience to their fans. “All of a sudden, my shows get canceled, Andy's shows get canceled,” Mars told Ebro Darden during their R&B Now interview. “This fear of ‘we’ll never be able to play live again’ comes into play. And to take that away from guys like us, that's all we know. So we're thinking, all right, let's put an album together that sounds like a show.”
It began with the project’s lead single, “Leave the Door Open,” a syrupy-sweet piece of retro soul that Mars considers something of a backbone for the project. After its completion, he and .Paak began building out the nine songs of An Evening With Silk Sonic, soliciting help, in the few instances where they needed it, from friends like Bootsy Collins, Thundercat, and even Kenneth “Babyface” Edmonds. Their access to HOF-worthy firepower notwithstanding, the pair always understood that their own combined musicality was the real draw. “We just wanted it to feel special,” Mars says. “Instead of trying to get too cute with the concept, it's like, what's more special than Anderson .Paak behind a drum set singing a song and me having his back when it's my turn, you know? And the band moving in the same direction? It was just like a musician's dream.” Below, the pair talk through some of the tracks that make An Evening With Silk Sonic an experience fans won’t soon forget.
“Leave the Door Open”
Bruno Mars: “Me and Andy come from the school of performing and playing live instruments. We wrote ‘Leave the Door Open’ and it was just one of those songs like, dang, I can’t believe we a part of this, and we don't know what it's gonna do, we don't care that it's a ballad or a whatever you wanna call it—to us, this just feels right and it's important. So no matter what, if it hit No. 1 or it didn't, me and Andy both know that that was the best we could do. And we were cool with that.”
“Fly as Me”
Anderson .Paak: “‘Fly as Me’ is a joint hook [Mars] had for a minute. He was trying to figure out some verses for it, trying to figure out the groove, and we spent some time on that.”
Mars: “Andy goes behind the drum set one day and says, ‘The groove gotta be like this,’ and starts playing his groove. D’Mile is on the bass, I'm on the guitar. After all the grooves we tried, I don't know what it is, there's something about someone in the studio, someone that you trust, saying, 'It's gotta be like this.’ And the groove you hear him playing, which is not an easy groove to play, was what he showed me and D. And we just followed suit.”
“After Last Night” (with Thundercat & Bootsy Collins)
Mars: “That one got a lot of Bootsy on it. And my boy Thundercat came in and blessed us. It’s just one of them songs—everything was built to be played live, so that song is one of those we can keep going for 10 minutes.”
“Smokin Out the Window”
Mars: “‘Smokin Out the Window’ was an idea we started four or five years ago on tour. It didn't sound nothing like how it does now, but we just had the idea. On [.Paak’s] birthday, I called him over. He was hysterical that night. After every take he was like, 'I'm the king of R&B! I’m the best! Tell me I’m not the hottest in the game!' We were going back and forth with the lines and who can make who laugh, and we end up finishing that song and he was like, 'I’m out, what we doing tomorrow?'”
“Put On a Smile”
Mars: “I had a song that I played for Andy and I said, ‘What do you think about this?’ and he said, ‘It sucks.’ I start singing it again and he gets behind the drums and that's when the magic happens. So we come up with this hook and these chords and that's when we start cooking, when everything starts moving in the studio. The song's starting to sound real good now. I don’t wanna mess it up, so I call Babyface. I only call Face to know if I got something good, you know, ’cause he’ll tell me too, 'This is wack.' For all of us to finish that record together, that was one of my favorite experiences on this album.”
“Skate”
Mars: “It's hard to be mad on some rollerskates. So really, that's kinda the essence of this album: If me and Andy were to host a party, what would that feel like? Summertime. Outside. Set up the congas and the drums and amplifiers, and what would that sound like? And this is what our best effort was: 'Skate.'”
It began with the project’s lead single, “Leave the Door Open,” a syrupy-sweet piece of retro soul that Mars considers something of a backbone for the project. After its completion, he and .Paak began building out the nine songs of An Evening With Silk Sonic, soliciting help, in the few instances where they needed it, from friends like Bootsy Collins, Thundercat, and even Kenneth “Babyface” Edmonds. Their access to HOF-worthy firepower notwithstanding, the pair always understood that their own combined musicality was the real draw. “We just wanted it to feel special,” Mars says. “Instead of trying to get too cute with the concept, it's like, what's more special than Anderson .Paak behind a drum set singing a song and me having his back when it's my turn, you know? And the band moving in the same direction? It was just like a musician's dream.” Below, the pair talk through some of the tracks that make An Evening With Silk Sonic an experience fans won’t soon forget.
“Leave the Door Open”
Bruno Mars: “Me and Andy come from the school of performing and playing live instruments. We wrote ‘Leave the Door Open’ and it was just one of those songs like, dang, I can’t believe we a part of this, and we don't know what it's gonna do, we don't care that it's a ballad or a whatever you wanna call it—to us, this just feels right and it's important. So no matter what, if it hit No. 1 or it didn't, me and Andy both know that that was the best we could do. And we were cool with that.”
“Fly as Me”
Anderson .Paak: “‘Fly as Me’ is a joint hook [Mars] had for a minute. He was trying to figure out some verses for it, trying to figure out the groove, and we spent some time on that.”
Mars: “Andy goes behind the drum set one day and says, ‘The groove gotta be like this,’ and starts playing his groove. D’Mile is on the bass, I'm on the guitar. After all the grooves we tried, I don't know what it is, there's something about someone in the studio, someone that you trust, saying, 'It's gotta be like this.’ And the groove you hear him playing, which is not an easy groove to play, was what he showed me and D. And we just followed suit.”
“After Last Night” (with Thundercat & Bootsy Collins)
Mars: “That one got a lot of Bootsy on it. And my boy Thundercat came in and blessed us. It’s just one of them songs—everything was built to be played live, so that song is one of those we can keep going for 10 minutes.”
“Smokin Out the Window”
Mars: “‘Smokin Out the Window’ was an idea we started four or five years ago on tour. It didn't sound nothing like how it does now, but we just had the idea. On [.Paak’s] birthday, I called him over. He was hysterical that night. After every take he was like, 'I'm the king of R&B! I’m the best! Tell me I’m not the hottest in the game!' We were going back and forth with the lines and who can make who laugh, and we end up finishing that song and he was like, 'I’m out, what we doing tomorrow?'”
“Put On a Smile”
Mars: “I had a song that I played for Andy and I said, ‘What do you think about this?’ and he said, ‘It sucks.’ I start singing it again and he gets behind the drums and that's when the magic happens. So we come up with this hook and these chords and that's when we start cooking, when everything starts moving in the studio. The song's starting to sound real good now. I don’t wanna mess it up, so I call Babyface. I only call Face to know if I got something good, you know, ’cause he’ll tell me too, 'This is wack.' For all of us to finish that record together, that was one of my favorite experiences on this album.”
“Skate”
Mars: “It's hard to be mad on some rollerskates. So really, that's kinda the essence of this album: If me and Andy were to host a party, what would that feel like? Summertime. Outside. Set up the congas and the drums and amplifiers, and what would that sound like? And this is what our best effort was: 'Skate.'”
Smokin Out The Window [音乐] 豆瓣
发布日期 2021年11月5日
出版发行:
华纳唱片
Bruno Mars and Anderson .Paak were already hard at work on what would become An Evening With Silk Sonic when the pandemic shut down live music in early 2020, but they weren’t going to let that stop them from delivering a concert experience to their fans. “All of a sudden, my shows get canceled, Andy's shows get canceled,” Mars told Ebro Darden during their R&B Now interview. “This fear of ‘we’ll never be able to play live again’ comes into play. And to take that away from guys like us, that's all we know. So we're thinking, all right, let's put an album together that sounds like a show.”
Lockdown [音乐] 豆瓣
Anderson .Paak
类型:
放克/灵歌/R&B
发布日期 2020年6月19日
出版发行:
Aftermath Entertainment
Brandon Paak Anderson (born February 8, 1986), known professionally as Anderson Paak is an American singer, songwriter, rapper, record producer
Come Down (feat. T.I.) [音乐] 豆瓣
Anderson .Paak
类型:
放克/灵歌/R&B
发布日期 2016年5月26日
出版发行:
℗ 2016 Steel Wool / OBE / Art Club / EMPIRE
Tints [音乐] 豆瓣
Anderson .Paak
/
Kendrick Lamar
类型:
放克/灵歌/R&B
发布日期 2018年10月4日
出版发行:
TDE
Leave The Door Open (Live) [音乐] 豆瓣
发布日期 2021年4月2日
出版发行:
华纳唱片
Bruno Mars联手Anderson .Paak的限定组合Silk Sonic在第63届格莱美上首次演唱新单“Leave The Door Open”,出色现场稳如CD,搭配复古闪耀的舞台,甚至比录音室版更生动澎湃,4月2日,格莱美现场版音源正式上线!
Silk Sonic Intro [音乐] 豆瓣
Bruno Mars
/
Anderson .Paak
…
类型:
放克/灵歌/R&B
发布日期 2021年3月5日
出版发行:
Atlantic
'Til It's Over [音乐] 豆瓣
Anderson .Paak
类型:
放克/灵歌/R&B
发布日期 2018年3月6日
出版发行:
Steel Wool Records
Original Sound Track of "Welcome Home" by Spike Jonze.
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Watch Film:
Douban Movie Page:
-
Watch Film:
Douban Movie Page:
Anderson .Paak & The Free Nationals: Tiny Desk Concert [音乐] 豆瓣
Anderson .Paak
/
The Free Nationals
类型:
放克/灵歌/R&B
发布日期 2016年8月15日
出版发行:
NPR Music
Good luck trying to classify Anderson .Paak and his band The Free Nationals. Much of their sound is layered atop a soulful hip-hop foundation; from there, your safest bet is to call it a hodgepodge of genres in the best way possible. Guitarist Jose Rios and bassist Kelsey Gonzalez inject a hard-rock edge into the Hi-Tek-produced "Come Down," this set's opening number. When you hear them play the first few jazz chords of "Heart Don't Stand A Chance," it's hard to simply call this R&B.
It's been a slow build for .Paak, who released a few mixtapes before his 2014 debut album Venice. This year has marked his official breakout with Malibu, on which he did what so many in his position fail to do: He capitalized. After bursting into the spotlight with his appearances on Dr. Dre's Compton LP, he immediately prepped the release of Malibu. The album sculpted an entirely new lane for Anderson .Paak. He can rhyme with best of 'em, and his vocal styling, reminiscent of '70s and '80s greats, is invigorating when set against today's tender R&B elite. Before all that, he's a drummer-slash-bandleader.
I've experienced three separate presentations of this band. First, there's the recorded version, on which .Paak collaborates with some of hip-hop's finest producers. Then, their tight stage show hits you in the chest with 90-plus minutes of pure energy. In the midst of a whirlwind tour, they stopped by the Tiny Desk and reworked three cuts from Malibu, along with an audience request that shocked even them. They stripped down and pulled back just enough to fill the room.
Producers: Bobby Carter, Niki Walker, Abby O'Neill; Audio Engineer: Josh Rogosin; Videographers: Niki Walker, Claire Hannah Collins, Nickolai Hammar; Production Assistant: Sophie Kemp; Photo: Cameron Robert/NPR.
It's been a slow build for .Paak, who released a few mixtapes before his 2014 debut album Venice. This year has marked his official breakout with Malibu, on which he did what so many in his position fail to do: He capitalized. After bursting into the spotlight with his appearances on Dr. Dre's Compton LP, he immediately prepped the release of Malibu. The album sculpted an entirely new lane for Anderson .Paak. He can rhyme with best of 'em, and his vocal styling, reminiscent of '70s and '80s greats, is invigorating when set against today's tender R&B elite. Before all that, he's a drummer-slash-bandleader.
I've experienced three separate presentations of this band. First, there's the recorded version, on which .Paak collaborates with some of hip-hop's finest producers. Then, their tight stage show hits you in the chest with 90-plus minutes of pure energy. In the midst of a whirlwind tour, they stopped by the Tiny Desk and reworked three cuts from Malibu, along with an audience request that shocked even them. They stripped down and pulled back just enough to fill the room.
Producers: Bobby Carter, Niki Walker, Abby O'Neill; Audio Engineer: Josh Rogosin; Videographers: Niki Walker, Claire Hannah Collins, Nickolai Hammar; Production Assistant: Sophie Kemp; Photo: Cameron Robert/NPR.
Love's Train [音乐] 豆瓣
Silk Sonic
/
Anderson .Paak
…
类型:
放克/灵歌/R&B
发布日期 2022年2月14日
出版发行:
Aftermath
Bruno Mars and Anderson .Paak celebrate Valentine’s Day with their version of the 1982 Con Funk Shun single.
Ventura [音乐] 豆瓣
Anderson .Paak
类型:
放克/灵歌/R&B
发布日期 2019年4月12日
出版发行:
Aftermath Entertainment
Bubblin [音乐] 豆瓣
Anderson .Paak
类型:
嘻哈
发布日期 2018年5月18日
出版发行:
12 Tone Music
美国说唱歌手Anderson .Paak携新单“Bubblin’”回归!Anderson .Paak于2016年发行专辑“Malibu”之后一夜成名,该专辑曾荣获第59届格莱美最佳当代城市音乐专辑提名。同年Anderson .Paak与美国新晋说唱歌手Mac Miller合作“Dang!”,被用于著名导演Spike Jonze执导的苹果公司广告片,备受赞誉。
Malibu [音乐] 豆瓣
Anderson .Paak
类型:
放克/灵歌/R&B
发布日期 2016年1月15日
出版发行:
Steel Wool/OBE/Art Club
Love's Train [音乐] Spotify
发布日期 2022年2月14日
出版发行:
© 2021 Aftermath Entertainment and Atlantic Recording Corporation
/
℗ 2021 Aftermath Entertainment and Atlantic Recording Corporation
In The Joy (feat. Anderson .Paak) [音乐] 豆瓣
林俊杰 JJ Lin
/
Anderson .Paak
类型:
流行
发布日期 2023年4月7日
出版发行:
JFJ PRODUCTIONS CORP. LIMITED
流行乐坛金曲天王 JJ Lin feat. 4座葛莱美嘻哈天王Anderson .Paak世纪合作
JJ Lin feat. Anderson .Paak 国际联动天王合体
缔造音乐巅峰 潮流单曲『In The Joy』
JJ Lin林俊杰 与 Anderson .Paak世纪级合作潮流音乐震撼新单曲『In The Joy』!引领流行乐坛潮流连动前所未有。
葛莱美嘻哈天王Anderson .Paak获Eminem、Busta Rhymes、Macklemore & Ryan Lewis、Mac Miller、The Game、André 3000、Bruno Mars大牌邀约合作,于美国流行音乐上成就非凡,获4座葛莱美奖并与Bruno Mars携手组团Silk Sonic成为葛莱美奖获奖的红火常客,JJ Lin林俊杰为首度合作的亚洲艺人,2位音乐王者的合体,打造一场前所未有的策划合作,2人默契十足的演绎结合高规格国际团队共同制作。
这是一首2位当代顶尖音乐人共同为国际非营利组织AAPI (Asian Americans and Pacific Islanders,AAPI)团体为诉求的纪录片“The Bridge"联手发声。当全球热切关注种族文化议题,企图用音乐的力量,将音乐无国界的串流,时代感且赋予多元和谐的新内涵,展现和平欢乐的正能量曲风,以无懈可击的节拍脉动至全世界每个角落!
『In The Joy』集结蓝调、爵士、福音、放克及节奏蓝调的当代流行Motown流行曲风,赋予时尚潮流与动感欢快的节奏共振,极度catchy和开朗的节拍俐落进曲,旋律层叠渐进,2人主vocal与和谐共鸣的和声,让轻松愉悦的律动感无限环绕,巧妙运用whistles顺势过场,swing dance中场窜动效果细致巧妙,营造出整体的复古欢快而引领全球流行新单曲!
JJ Lin林俊杰与Anderson .Paak,以其在乐坛的高频影响力,融合多样化节奏元素,传递爱与温暖,Come together You and I,共感频率,能量无限传递!
JJ Lin林俊杰 feat. Anderson .Paak Come together You and I
『In the Joy』
潮流全新单曲!
词 LYRICS:JJ Lin/Anderson .Paak/Rude Cat
曲 COMPOSER:JJ Lin/Anderson .Paak/Rude Cat
音乐制作 MUSIC PRODUCTION:JFJ Productions/Transparent Arts
编曲 MUSIC ARRANGEMENT:Rude Cat
制作人 PRODUCER:Rude Cat
配唱制作 VOCAL PRODUCTION:JJ Lin
和声编写 BACKGROUND VOCAL ARRANGEMENT:JJ Lin/Rude Cat
和声 BACKGROUND VOCAL:JJ Lin/Rude Cat/Anderson .Paak
录音室 RECORDING STUDIOS:Stones Throw Records (LA, CA)/ROOM 2804 Fairmont Ambassador (Seoul)
录音师 RECORDING ENGINEERS:JJ Lin/Julio Ulloa
混音室 MIXING STUDIO:Aaron Mattes Studio
混音师 MIXING ENGINEER:Aaron Mattes
后期母带处理制作人 MASTERING PRODUCER:Tiernan Cranny
后期母带处理录音室 MASTERING STUDIO:N/A
后期母带处理录音师 MASTERING ENGINEER:Tiernan Cranny
JJ Lin feat. Anderson .Paak 国际联动天王合体
缔造音乐巅峰 潮流单曲『In The Joy』
JJ Lin林俊杰 与 Anderson .Paak世纪级合作潮流音乐震撼新单曲『In The Joy』!引领流行乐坛潮流连动前所未有。
葛莱美嘻哈天王Anderson .Paak获Eminem、Busta Rhymes、Macklemore & Ryan Lewis、Mac Miller、The Game、André 3000、Bruno Mars大牌邀约合作,于美国流行音乐上成就非凡,获4座葛莱美奖并与Bruno Mars携手组团Silk Sonic成为葛莱美奖获奖的红火常客,JJ Lin林俊杰为首度合作的亚洲艺人,2位音乐王者的合体,打造一场前所未有的策划合作,2人默契十足的演绎结合高规格国际团队共同制作。
这是一首2位当代顶尖音乐人共同为国际非营利组织AAPI (Asian Americans and Pacific Islanders,AAPI)团体为诉求的纪录片“The Bridge"联手发声。当全球热切关注种族文化议题,企图用音乐的力量,将音乐无国界的串流,时代感且赋予多元和谐的新内涵,展现和平欢乐的正能量曲风,以无懈可击的节拍脉动至全世界每个角落!
『In The Joy』集结蓝调、爵士、福音、放克及节奏蓝调的当代流行Motown流行曲风,赋予时尚潮流与动感欢快的节奏共振,极度catchy和开朗的节拍俐落进曲,旋律层叠渐进,2人主vocal与和谐共鸣的和声,让轻松愉悦的律动感无限环绕,巧妙运用whistles顺势过场,swing dance中场窜动效果细致巧妙,营造出整体的复古欢快而引领全球流行新单曲!
JJ Lin林俊杰与Anderson .Paak,以其在乐坛的高频影响力,融合多样化节奏元素,传递爱与温暖,Come together You and I,共感频率,能量无限传递!
JJ Lin林俊杰 feat. Anderson .Paak Come together You and I
『In the Joy』
潮流全新单曲!
词 LYRICS:JJ Lin/Anderson .Paak/Rude Cat
曲 COMPOSER:JJ Lin/Anderson .Paak/Rude Cat
音乐制作 MUSIC PRODUCTION:JFJ Productions/Transparent Arts
编曲 MUSIC ARRANGEMENT:Rude Cat
制作人 PRODUCER:Rude Cat
配唱制作 VOCAL PRODUCTION:JJ Lin
和声编写 BACKGROUND VOCAL ARRANGEMENT:JJ Lin/Rude Cat
和声 BACKGROUND VOCAL:JJ Lin/Rude Cat/Anderson .Paak
录音室 RECORDING STUDIOS:Stones Throw Records (LA, CA)/ROOM 2804 Fairmont Ambassador (Seoul)
录音师 RECORDING ENGINEERS:JJ Lin/Julio Ulloa
混音室 MIXING STUDIO:Aaron Mattes Studio
混音师 MIXING ENGINEER:Aaron Mattes
后期母带处理制作人 MASTERING PRODUCER:Tiernan Cranny
后期母带处理录音室 MASTERING STUDIO:N/A
后期母带处理录音师 MASTERING ENGINEER:Tiernan Cranny
Coast [音乐] 豆瓣
Hailee Steinfeld
/
Anderson .Paak
类型:
流行
发布日期 2022年7月29日
出版发行:
Mercury Records / Republic Records
Why Lawd? [音乐] Spotify
NxWorries
/
Anderson .Paak
…
发布日期 2024年6月14日
出版发行:
2024 Stones Throw Records
/
2024 Stones Throw Records