A lonely, sticky fingered waitress is looking to leave town while her complacent insurance salesman husband gets taken for a ride by a Southern viper. Romance, murder, golf and freight trains are the themes of a strange trip through the South.

Using extensive rear projection to remarkable effect (actors, in color, against black and white backgrounds and all photographed in high definition), Mark Rappaport evocatively plays with the themes of noir while contemporizing the stakes involved. In EXTERIOR NIGHT, there is no past. There is no present. There is only the inevitable now