A film essay on Ballard's fiction, and its unrealised cinematic potential, with particular reference to David Cronenberg's (yet to be filmed) Crash, featuring an interview with the director, prior to making of his film.

A collection of films from an eclectic array of contributors commissioned to raise funds for the Bristol independent cinema The Cube.

A filmmaker sets out to make a voyage of discovery on London's orbital motorway, the M25. He enlists the help of several others to film the motorway from several points, drive endlessly around it and dig up stories and potential beauty behind the motorway.

‘The Cardinal and the Corpse' marks the beginning of Petit’s loose partnership with writer Iain Sinclair. There’s a nod towards narrative here involving a book-search launched by graphic novelist Alan Moore and a dealer (the dapper but barking Driffield), but it’s little more than an excuse to showcase a number of authors and other miscreants.

A portrait of film critic Manny Farber, featuring interviews with Farber and art critic Dave Hickey, as well as inventively displayed clips of the films that Farber discusses. 烂番茄小组

<Content> is an ambient 21st century road movie from Chris PETIT whose <Radio On> (1979) has become a cult road classic, about drift and driving’s trancelike state rather than destination and the unfolding of the road. It is about life in the rearview mirror, memory, modern technology (the You Tube generation, email seduction) and the new landscape of the big shed, and driving into the flatlands of late middle age, fathers and sons, growing up in the cold war, genocide and assassination, and the postwar landscapes of Europe and the USA, and how life looks now, seen by a six-year-old from the back of a car.

A London private eye on her first case probes the supposed suicide of a rich young man.

A London radio DJ receives news of his brother's suicide and travels west to Bristol to find out more.