Min Ji-suk runs a "ticket bar"where customers can purchase tickets for certain "services"in the town of Sokcho in Gangwon-do. She hires Miss Yang (Ahn So-young), Miss Hong (Lee Hye-young), and Se-young (Jeon Se-young) through the employment agency. Miss Yang and Miss Hong, who are well experienced in this type of business, are used to accepting propositions from customers. But Se-young, who is dating a college student named Min-su, rejects all requests for sexual favors. When Min-su professes to having problems with his tuition and finances, Se-young reassures him that she will procure the necessary funds for him. When the bar's clientele begins to dwindle because of Se-young, Ji-suk reprimands her severely. Se-young develops a close relationship with a Captain Pak and even allows him to sleep with her. She asks Captain Pak to find Min-su employment on a boat, but when Min-su comes to Sokcho for his new job, he sees how Se-young has been making her living. Shocked, he turns his back on the job and leaves. When he eventually returns to Sokcho, he scathingly denounces Se-young's morality and severs their relationship. Decades ago, Ji-suk had stumbled into the bar business in a desperate effort to support her husband, who was serving time in prison; she later left him voluntarily out of shame and moral degradation. Concerned that Se-young will end up with the same fate, Ji-suk asks Min-su to meet with her. She begs him not to abandon Se-young, but he flatly refuses. Ji-suk reacts by pushing Min-su into the sea, and suffers a mental breakdown that lands her in a psychiatric institution.

Summer, 1983. The entire nation is glued to their television sets as KBS airs a special live broadcast dedicated to reuniting family members who were separated during the Korean War. Hwa-young (Kim Jee-mi), who has been keeping a prosperous and harmonious household, decides to search for her lost son, at the recommendation of her husband (Jeon Mu-song). On the way to the TV station, Hwa-young begins to reminisce about the past. At the end of Japan's occupation of Korea, Hwa-young's family moves to a small village called Kilsodeum, in Hwanghae-do. Hwa-young (Lee Sang-a) soon becomes an orphan, and is taken in by her father's friend, Kim Byung-do. She falls in love with his son Dong-jin (Kim Jung-suk), who treats her with warmth and affection. One rainy day, Hwa-young and Dong-jin consummate their love and Hwa-young gives birth to a child. But the Korean War breaks out and their respective fates take them away from each other. While looking for her son in the rendezvous plaza outside the TV station, Hwa-young reunites with Dong-jin (Shin Seong-il), who has been waiting for her all his life at the expense of the family he built with the daughter (Oh Mi-yeon) of the man who saved his life. The two of them run into Seok-chul (Han Ji-il), a man who has been searching for his parents, and sense that he is their lost son. They go to visit him, but his rude behavior the product of a life spent in the gutters of society causes them to feel a sense of estrangement. Seok-chul's scar and a DNA test virtually confirm that he is their son, but Hwa-young turns her back on him, saying that she will not believe anything less than proofpositive of his parentage. Dong-jin turns away also, as he tosses Hwa-young's contact information in the garbage. As she drives along the road, Hwa-young stops her car for a moment and weeps, but soon continues on her way.

导演林权泽为游击队员之子，他首次把自己的经历和现代史融合到一起。人称「歪鼻子」残留共党的游击队员白贡山（Choi Yun Seoko饰）被捕，刑警宋基烈（金熙羅饰）在押送他的路上不慎令其逃跑。从此，宋基烈辞去工作，倾家荡产，展开了三十年的追踪。三十年后，两人都已是身患疾 病的老人，再次狭路相逢，宋基烈准备带白贡山返回乡，为自己当年的失误雪耻…… 二战后朝鲜反共游击战成为林权泽不少电影的题材，《歪鼻子》有别于后期在稗牙谷千军万马的史实大制作《太白山脉》（1994），以倒序的手法和微观的视野描绘南北对立的两个男人故事，宋刑警终生逮捕游击队员歪鼻子为任，以洗当年被军方开除的污名；歪鼻子浪迹天涯，却在临终的收留所再遇死敌。作为游击队队员的儿子，林权泽站在人性的立场上，以不偏不倚的态度批判南北之战残酷的斗争，反思战争给人的生命、尊严和人性带来的伤害。

Low-ranking civil servant Pil Yong (Park Joong Hoon) has things hard looking after his disabled wife(Ye Ji Won). He takes charge of a hanji project in hopes it will bring him a promotion. His wife comes from a family of hanji masters. One of his tasks include working with quarrelsome filmmaker Ji Won (Kang Su Yeon), who is shooting a documentary about hanji. Though he knows little about the subject to begin with, the more he learns about hanji, the more it takes on a new significance for him and the world around him.

While awaiting the publication of his fairytale about his dementia-stricken octogenarian mother, an acclaimed South Korean novelist receives news that she has passed away, so he leaves the city and returns to her village to take part in the funeral.

20世纪30年代，朝鲜沦陷，国内各方势力犬牙交错，一片混乱。汉城的钟路区被视为汉城的心脏地带，这里同时也是日本和朝鲜黑帮斗争最为激烈的地方。朝鲜黑帮方面，钟路商圈的高熙庆，他掌握了钟路商圈游兴街（同日本繁华街）的地盘，被视为朝鲜黑帮的霸主，他同严东旭以及绰号“番人”的金斗汉（朴相民 饰）共同瓜分钟路商圈。 自幼在孤儿院长大的金斗汉是朝鲜著名抗日英雄金佐镇的儿子，这个身份和拼命三郎般的果敢让他逐渐成为一呼百应的人物…… 韩国国宝级大导演林权泽执导的“将军之子三部曲”第一部，根据真实历史人物改编。

这是一部以宗教为题材的影片。顺女自小生活在一个缺少温暖的家庭里，这造成她的性格极为孤僻，虽然过早就坠入情网，但又饱尝失恋的痛苦。为摆脱尘世的苦恼，她毅然循入空门，希望能在此修身养性，然而她又一次一次地违犯了佛家戒规，终被赶出佛门。她最后孤伶伶地漂落到了一个小岛上，在这个小岛上，她用自己所学的医术给当地人看病，但另一方面，她又不能控制肉体的欲求，不断地出卖着肉体。她的困惑与烦恼最终也未能从她所信奉的宗教中找到答案。

朝鲜李朝时代，申姓大户人家的长孙与妻子结婚十二年不育，作为一家之主的祖母担心无人继承族谱，但碍于儒教礼法，申家不便纳妾，祖母遂接受建议，准备雇佣种女为家族延续香火。在精通相面术的委托人引领下，申家从从事接种的种女村落中选出了时年十七、健康的处女可娜（姜受延 饰）作为种女。可娜为替母亲分忧，承担下为申家延续香火的任务。初次接触，因可娜和主人心存芥蒂，一切机械而无味，然而他们在后续的接触中竟然爱上了彼此，主人忘记了与妻子的恩爱，频繁与可娜相会，这段关系引起了正在忙于为孙媳伪装怀孕假象的家族的不满，可娜受到责罚，而这只是不幸的开始……

A sprawling story of one man's tumultuous life within the context of the South Korean political situation during the second half of the 20th century.

女教师到某穷乡僻壤赴任。整个村子村民相互都有姻亲关系。令女教师分外奇怪的是村子里还住着一个游手好闲的无赖汉。原来，这个无赖汉身份特殊，他的任务是满足全村妇女的性要求……某日，等待未婚夫的女教师遭到无赖汉的强暴……

故事发生在刚刚解放后的困难时期。以记者职业为生的许允一直认为和理念的对立相比，人本更加重要，不同立场的人也可以一起共事。身为左翼联盟的允伊被右翼组织施以私刑，得知该事之后，许允向身为组织头目的前辈求助，虽然救出了允伊，但她却开始怀疑他了。本来不相信左翼右翼的许允在一系列事件后手中的旗帜有了动摇，思想开始发生变化。最终，许允充当了社会下层人物的代言人，在允伊的注视下，将自私自利的左翼头目李哲射杀。

A story that follows the lives and interactions of two Buddhist monks living in South Korea.

A courtesan's daughter's fidelity to her husband, the governor's son, is tested when he and his family leave for Seoul and the new governor attempts to possess her.

A drama centered on brother-and-sister musicians trained to perform the epic Korean poems known as pansori.

1997 film by Im Kwon-taek

1993 film by Im Kwon-taek

In a time of political and social unrest in 19th century Korea, uncouth, self-taught painter Jang Seung-up explores his natural talent amidst the repressive world around him.

1994 film by Im Kwon-taek

该片 以“化妆”和“火葬”两个不同的题材，讲 述了夹在两个女人之间的一个中年男 子的故事，改编自2004年金勋作家的 原作小说，由演员安圣基主演。