An actor is married to a dancer whose drug addiction drives them to desperation when World War II breaks out.

"Dewajtis" is one of Maria Rodziewiczówna's best-known moral novels, written in 1889. In seven episodes of the series about love, honor and family, the fate of a backwater and manor community, whose life was changed by the January Uprising, intertwines. The dying father's order imposes a new duty on young Marek Czertwan - he is to take care of the Poswicie estate, left by his father's missing friend, the insurgent magnate Kazimierz Orwid. How will Marek, forced to take care of the estate in Poswicie, cope with the new situation? Will he succumb to the charm of Irena, the rightful heiress of the manor? The heroes' ideals will be put to a severe test, and their desires will come into conflict with the obligations imposed by the family. The title Dewajtis, an ancient oak, casts a soothing shadow over the estate, which becomes a kind of escape from the hardships of life for the characters and a majestic symbol of intergenerational community.

This film is a sequel to Munk's Zezowate Szczescie and it's much the same, only more so. The film begins in a cinema, where the last scenes of Zezowate Szczescie are being shown. Born unlucky, a victim of the errors and distortions of Stalinism, he is released in 1956. He meets a politically feverish woman, her influential parents, and finally becomes the father of her child. But bad luck, or perhaps an unlucky era, will not let him forget.

A Pole who spent time in an internment camp during the war on the Swiss-German border, visits the site many years later and recalls these days. He meets with other Poles confined in the same camp, including several women, in whose he had romantic interests.

The key aim of every ZOO is to protect animal species from extinction. In times of war, the most endangered species was the man. Under the Nazis' noses, about 300 people, mainly Jews, found shelter at the Warsaw Zoo during the Second World War. With the help of reenacted scenes with animals, interviews with the survivors, and archive footage, we are going to revive the surreal atmosphere of those events.

A married couple wakes up in each other's bodies, discovering surprising thrusts about their partner as they struggle to return to normalcy.

波兰，1939年。画家Marek Wawrowski与他的妻子和儿子住在一个小镇上。他遇到了年轻、美丽的犹太女孩黛博拉，立即爱上了她，他们开始了一段充满激情的恋情。然后第二次世界大战爆发了。

It’s Christmas Eve, and Ewa has plotted to pass the hours until morning with her former lover Janusz, a family man, by making him believe her husband has gone missing. During this night of recklessness and lies, the pair grapple with choices made when their affair was discovered three years ago, and with the value of their present lives.

The film evokes a childhood in rural Lithuania between the wars. A country boy, Tomaszek, lives on a rich estate, situated on the Polish border. He realizes that the Issa Valley he lives in is to be torn apart by internal political conflicts and unrests among the mixed population of Poles, Lithuanians, Jews and Russians. He, however, is captivated by a paradise surrounding him, the forest, and his fantasies.

Simon是一位感覺被生命遺忘的20歲的學生，某天，當他獨自在一家餐館吃飯時，遇見了一對同在餐館中，正在爭吵的夫婦。從此，Simon被這對關係如履薄冰的夫妻Viktor與Mária所深深吸引並發展成一段奇怪的三角關係，在這段關係中，Simon有時像個中間人，有時又是個障礙。Mária惱火著Viktor所說的：他們之間缺少激情。但清楚可見的是，在這段婚姻中，確實缺少了”柔情”。最終，Simon得到了人生的答案離開了這對夫婦：他之於人生，人生之於他，都是有意義的。

Two sisters, a journalist and a student, are struggling with financial problems. They decide to save their budget by stealing from wealthy men. They break into their apartments through windows in order to realize their American dream...

Atanazy Bazakbal navigates a destructive love triangle between his innocent fiancée Zofia and the decadent Hela Bertz while seeking meaning through hedonism. As their personal lives unravel, a communist revolution sweeps through Poland, crushing the aristocracy's old world.