Mabel sneaks away from her parents for some mischievous fun at the fairgrounds with a pair of impromptu suitors.

Four bad men have kidnapped Fatty's girlfriend and plan to kill her. Fatty's dog knows where she is, but Fatty doesn't and he was crying. However the dog came back to get Fatty, and they and the Keystone Cops went to rescue her.

Fatty and Mabel go to the San Diego Exposition.

Although Mabel’s parents disapprove of Roscoe and Mabel’s relationship, the two still secretly court. When a rivaling suitor named Reddy appears, the men fight for Mabel’s hand. Although successful, Roscoe witnesses Reddy fall into a well and instantly calls for help. As the police fish Reddy out of the well, the young lovers see their chance at freedom and run off to elope.

A happy young couple become engaged, and soon afterwards they are married. But after their marriage, the husband begins to stay out carousing with his friends, leaving his wife at home with her mother. Then, when the three of them go to the opera together, the husband spots one of his friends in another box. Soon the domestic difficulties reach their peak.

The whole world knows him. Burlesque comedy genius, popular actor, author, director, producer, composer, choreographer, Charlie Chaplin (1889-1977) used his talent to serve an ideal of justice and freedom. But his best scenario was his own destiny, a story written into the political and artistic history of the 20th century.

Hubby and wifey are in love, but he's henpecked by her mother. A nip of whiskey gives him Dutch courage, and he storms out, declaring he won't be a domestic slave anymore. He heads for a park bench where a photographer mistakes him for a seated woman's sweetheart. The tintype of the two of them falls into the hands of the woman's husband, whose jealous rage frightens our hero. He abruptly leaves town, telling wifey he'll be away on business. Wifey doesn't need her house while he's away, so, unknown to hubby, she moves in with mom and rents the house to the couple from the park. When our hero returns home sooner than expected, the renter has another attack of jealousy.

It's wash day. Mabel works hard while her husband sleeps in. Next door, Fatty works hard while his wife bosses him about and dresses up to go out. The two neighbors meet outside: Fatty offers to let Mabel use his wringer. Her husband shows up just as her skirt gets caught in the wringer, and he's jealous. So is Fatty's wife when she hears the arguing. Later that day, both couples take a stroll, and, through a series of misadventures and innocently swapped purses, Mabel and Fatty's friendship blossoms, their spouses again think they have cause to be jealous, and the cops join the chaos.

Roscoe flirts with a girl in the park. Later he takes his wife and mother-in-law to the movies only to see his flirtation showing on the screen.

Stage star Carter DeHaven seemingly transforms himself into a series of silent-era screen stars including Buster Keaton, Harold Lloyd, Roscoe Arbuckle, Rudolph Valentino, Douglas Fairbanks, and Jackie Coogan.

In an attempt at greater efficiency, the chef and waiter of a fancy oceanside restaurant wreak havoc in the establishment. Adding to the complications is the arrival of a robber.

Back Stage is a 1919 comedy, one of the last films that Buster Keaton would appear with Roscoe "Fatty" Arbuckle before they went their separate ways, Keaton would get his own studio, and Arbuckle got into feature length films. In this film, Keaton, Arbuckle, and others, work as stagehands, backstage of course, in a playhouse trying to help and in some cases, stay far away from the eccentric and diva-like performers. When the performers rebel and refuse to do the show, the stagehands, along with Arbuckle's love interest, the assistant of one of the rebelling performers, perform in their place- including Keaton showing his ability to do butterflies, no handed cartwheels, while in drag.

Buster manages the store while Roscoe delivers the mail, taking time out for hide-and-seek with Molly. The constable, also interested in Molly, steals $300 while being observed by Buster.

Roscoe and Buster operate a combination garage and fire station. In the first half they destroy a car left for them to clean. In the second half they go off on a false alarm and return to find their own building on fire.

Dr. Holepoke, his wife, and his son are at the horse races when the doctor begins to flirt with another woman. Then the doctor and the other woman's boyfriend lose their money betting on the same horse, leaving both of the women very unhappy. While Dr. Holepoke thinks about how to get some new patients, the other man has a plan to recover some of his losses at the doctor's expense.

A feud between the Owens and the Gillettes ends when the last remaining Gillette is killed, but new trouble erupts for the mountain folk with the arrival of a U.S. revenue agent and his assistant. The revenuers search high and low for the secret hideaway where the mountain people prepare illegal alcohol, but end up in deep trouble that only a little movie magic can save them from.

Roscoe tries to dump his wife so he can enjoy the beach attractions. Buster arrives with Alice who is taken away from him by Al who loses her to Roscoe. Bathing beauties and Keystone Kops abound.

Out West is a 1918 short comedy film, a satire on contemporary westerns, starring Roscoe "Fatty" Arbuckle, Buster Keaton, and Al St. John. It was the first of Arbuckle's "Comique" films to be filmed on the west coast, the previous five having been filmed in and around New York City. The idea for the story came from Natalie Talmadge, who was later to become Keaton's first wife. The story involves Arbuckle coming to the western town of Mad Dog Gulch (which the intertitles call "the toughest town in the movies") after being thrown off a train and chased by Indians. He teams up with gambler/saloon owner Bill Bullhorn (Keaton), in trying to keep the evil Wild Bill Hickup (Al St. John) away from Salvation Army girl, Salvation Sue (Alice Lake). Fatty and Buster have a series of adventures trying to beat St. John, until they discover his one weakness: his ticklishness.

The Bell Boy is a short film produced and released in 1918 by the Comique film company. The film stars Fatty Arbuckle and Buster Keaton as bellboys in Elk's Head Hotel. They cause trouble with each other and guests. The elevator is powered by a stubborn horse, a sham robbery turns into a real one, and there is a chase on a runaway trolley. Much of the material in this film was later re-used by Keaton in his 1937 film "Love Nest On Wheels". One sequence involving a mop was reused by Keaton in his last film appearance, in The Scribe.