The first fiction feature by Spanish director Manuel Menchón reconstructs the banishment of writer and philosopher Miguel de Unamuno (1864-1936) from Bilbao to Fuerteventura by Primo de Rivera's dictatorship, as punishment for his openly dissident statements against the military regime, the King and the monarchic system.

An alcoholic partier becomes a paranoid maniac when a manuscript that predicts real-life horrors takes possession of his mind.

1977 film

1977 film

Madrid, 1962. More than twenty years after the civil war has finished, a communist comes back to Spain to kill a traitor.

Set in a crumbling Spanish mansion, this gloriously comic and gothic story follows the fortunes of an innocent young priest as he enters a world of moral decadence, sexual intrigue and corruption of an aristocratic family in nineteenth-century Galicia.

1976 film by Ricardo Franco

A mix of characters and actions create only a semblance of a plot in this confusing tale of intrigue, undefined crimes, and incest. A newspaper reporter is working on a story about a criminal serving time in jail. He interviews the prisoner, has an affair with the criminal's daughter, and also spends some time in bed with his editor's wife. His amorous life is an adjunct to his searching out the details of the prisoner's case -- though tragedy strikes before the journalist can wrap everything up. In the meantime, it becomes clear that the daughter and imprisoned father had an incestuous relationship, raising more questions than answers.

Leandro, an unemployed mason and his friend, Tocho, attempt to rob a tobacconist in the Vallecas district of Madrid, but Mrs. Justa, the tobacconist, impedes it alerting the neighbors who notify police. Inside the shop, the confrontation between the two friends and their 'hostages', the tobacconist and her niece Angeles, is relaxing, and a budding sympathy arises between them.

Leo is immediately set adrift by his new found responsibilities as a single parent, a feeling that is made doubly distressing when Dafne, herself understandably confused and heartbroken by her mother's absence, asks for an "artificial" mother to help her fall asleep at night. It is here that Mañas takes the road less traveled, but to write any more about the plot line he introduces would be unfair to both the viewer and filmmaker alike. Suffice it to say that Leo's actions are both surprising and potentially dangerous, as they require Leo to subsume his own identity to the point where he nearly loses it.