A fictional story of Wolfgang Amadeus Mozart's stay in Prague. The film, in no case, claims any historical facts. It only tries to evoke the spirit of that time by connecting Mozart's music with the architecture of Prague and by pointing up the changes in Prague during Mozart's two-hundred absence in the Czech metropolis.

In the dead of night, a few hours after Mozart's death, the usual suspects are summoned to Mozart's room by Count Pergen, head of the secret police, who considered Mozart a potential revolutionary. Over the corpse, he interrogates them, trying to discover the true cause and significance of Mozart's demise.

Postwoman Mrs Skorepa, her husband the ambulance driver Mr Skorepa and their eleven-year-old twins Petr and Pavel live in Prague in Malá Strana (Lesser Town), one of the Prague's historical and oldest quarters. The boys are crazy about cars and everything linked to them. They don't share their father's love of classical music. On the other hand, they are crazy about the newly announced scrap yard competition for paper collection. The lottery tickets awarded for every ten kilograms of old paper collected could win them a go-kart.

艾玛是享誉世界的捷克女高音歌唱家，她刚刚结束的美国巡回演出引起轰动。时逢第一次世界大战爆发，艾玛的经纪人劝她留在美国，但艾玛深爱着祖国，毅然登上回国的轮船。临行前，她接受了爱国人士托她带回国的情报，没想到刚一入境就被警察扣押盘查，布拉格国家大剧院也拒绝她登台演出。被软禁在故乡家中...

This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script. The director Evald Schorm (1929-1988) was one of the most original members of the Czech "New Wave". During the "normalization" era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the "Na zábradlí" Theater and Laterna Magika.

Czechoslovakia, 1941. As the war continues, Reich Protector Reinhard Heydrich arrives in Nazi-occupied Prague and establishes a regime of terror that will force freedom fighters to act. But the price to pay will be too high.